Alex Fuller, Gabe Usadel
Sameness
Chicago, 5×7, 2010
offset, 2 cores
32 p.
brochura
250 ex. numerados
Inspirados pelas teorias da Bauhaus e De Stijl, o objetivo do livro é celebrar a variedade e a interpretação utilizando elementos simples, linhas e cores.
Richard Hamilton
Polaroid Portraits. Vol. 4
Stuttgart: Edition Hansjörg Mayer, 2001
Peter Blake — lan Dury — Basil Bunting — Max Bill — Louis Le Brocquy — Arnulf Rainer — Klaus Staek — Bryan Ferry — Cedric Price — Shigeo Fukuda — Pol Bury — Tim Head — Walter de Maria — Richard Wilson — Derek Boshier — Mario Merz — Mimmo Rotella — Robert Indiana — Christian Boltanski — Hans Haacke — liya Kabakov — Derek Jarman — Ben Vautier — Ecke Bonk — Colin Seif — Raul Ruiz — Dennis Hopper — John Baldessari — Michelangelo Pistoletto — Jean Sabrier — Ferran Adriä — Bruce Mau
Eduardo Arias
Plastilina
Barcelona: Kitschic, 2009
11,5 × 16,5 cm (fechado)
92 × 16,5 cm (aberto)
Impressão digital
Plastilina é um manual de instruções para perder tempo. 9 passos para fazer um amontoado de massa disforme com 9 diferentes técnicas, tais como desenho com tinta ou cabelos, ou escultura com ovos mexidos, uma caixa de leite ou roupas amassadas.
Plastilina es un manual de instrucciones para perder el tiempo. 9 pasos para volver a hacer un amasijo de plastilina sin forma definida con 9 técnicas diferentes, como el dibujo con tinta o con pelos, o la escultura con huevos revueltos, una caja de leche o ropa sin planchar.
Diter [Dieter Roth] Rot (1930-1998, Hanover, Alemanha)
Gesammelte Werk – band 20
Collected Works, vol.20 – Graphics and Books (Part 1)
From 1947 until 1971
Stuttgart: Edition Hansjörg Mayer, 1972
384 p.
23 x 17 cm
8.000 ex.
Nota: a sobrecapa é um cartaz anunciando uma exposição do artista.
Renato Brancatelli (1956)
Viagem ao Deserto Branco
São Paulo: Poesia e Arte, 1984.
36,2 x 21,7 x 1 cm
Xerox, pb
150 ex. num. ass.
Nº do exemplar: 66.
Idioma: Português
Encadernação: Espiral
Colofão:
ESTA EDIÇÃO DE 150 EXEMPLARES NUMERADOS E ASSINADOS PELO AUTOR
FOI PRODUZIDA DURANTE A 4a. POUCOS E RAROS PELA POESIA E ARTE
COM EDIÇÃO DE HUDINILSON JR. E O APOIO DA HUMBERTO TECIDOS E
DA XEROX DO BRASIL. O PAPEL UTILIZADO FOI O LIRIO DE 90 GRAMAS
DA SIMÃO E A IMPRESSORA FOI UMA XEROX 2600. ACABOU-SE DE IMPRI-
MIR EM SÃO PAULO AOS DEZENOVE DE SETEMBRO DE 1984.
Ellie Ga
Classification of a Spit Stain
New York: Ugly Duckling Presse, 2009
Cloth-bound.
64 p.
6.75 x 8.5 in.
ISBN 978-1-933254-45-6
Classification of a Spit Stain is the result of Ellie Ga’s two-year project photographing and analyzing stains on city pavements throughout the world. Accompanying the photographs is a classification system which organizes the stains according to various qualities such as substance and longevity. A combination of urban flaneurie and garbology, Classification of a Spit Stain is a mysterious field guide to the landscape underneath the soles of our shoes. The original version of this artist book, made in an edition of twenty-five copies, is in the collections of the Museum of Modern Art, the New York Public Library, Yale University, Brown University, and UCLA’s Dickson Library, among others. This trade edition was produced in response to sustained interest. This book was funded in part by grants from the NEA and from the Jerome Foundation (via CLMP).
http://www.uglyducklingpresse.org/catalog/browse/item/?pubID=6
Nicholas Gottlund
The master
New York: Swillchildren, 2013
25 x 16,5 cm
16 p.
100 ex.
The Master por Nicholas Gottlund é um exame de aberrações de impressão que ocorrem como resultado de intervenções físicas e digitais durante todo o processo de produção.
The Master by Nicholas Gottlund is an examination of printing aberrations occurring as a result of both physical and digital interventions throughout the production process.
Michalis Pichler
January 5-31, 2012
Berlin: Greatest hits, 2012.
[12 p.]
21 x 17,5 cm.
400 exemplares.
xerografia
In 1969 Seth Siegelaub organized an exhibition (and publication) with the title January 5 – 31, 1969, one of the first exhibition projects of conceptual art, with the participation of Robert Barry, Douglas Huebler, Joseph Kosuth and Lawrence Weiner.
Back then there was already talking about a so-called “linguistic turn” that had been taken place in the visual arts and in consequence led to idea art. Nevertheless one could hardly deny, that those artistic/poetic strategies are being reused and radicalised around the turn of the millennium and recently.
January 5 – 31, 2012 is gathering some of these positions, presenting Craig Dworkin, Kenneth Goldsmith Jonathan Monk and Michalis Pichler.
Thomas Galler
Various Fires – and Four Running Boys
Edition Fink, 2010
40 × 50 × 0.5 cm
48 p.
500 ex.
ISBN 3-03746-142-X
Galler’s work examines notions of media representation and of authorship and exchange around found materials from a position of societal critique and mass culture.
A collection of images of the artist’s own production since 1999 combined with those appropriated from newspaper and magazine images (the ‘Fires’)
Excerpts are taken from news-report images of global crises and political unrest that featured fires and which changed societal interactions beyond the affected regions.
Galler’s book references Ed Rucha’s 1964 bookwork ‘Various Small Fires.’
Ilan Manouach (Atenas, 1980)
Riki fermier
[Atenas], Cinquième Couch, 2015
ISBN : 9782390080992
O artista grego removeu todos os personagens de uma revista para crianças publicada originalmente na Dinamarca, deixando apenas um personagem secundário, o pelicano Riki. Sozinho, Riki é uma testemunha passiva da reconstrução de uma antiga fazenda.
Ilan Manouach (Athens, 1980) is a multidisciplinary artist with a specific interest in conceptual comics. He also actively works as a publisher and a professional musician. He holds a BFA from L’Ecole Supérieure des Arts, in Brussels and is currently enrolled as a student in the MA Program of the Dutch Art Institute in the Netherlands. Since 2003, he has published more than a dozen bookworks under the catalogue of a small informal publishing house based in Brussels. He has curated four anthologies bringing together contributions from artists, critics, lawyers and different professionals of the book industry.
In the comics world, he is mostly known for the unsigned comic book appropriations, and the manifestos supplementing these edition. He has published illegal appropriations of existing comic books, and reinjected his detournements in the book market. He continuously claims for the importance of an idiosyncratic “reader’s space”, beyond all imposed meanings coming from the author or from the prevailing readings of certain works. Following a mode d’emploi, consisting of a very simple chart of manipulations to guide him through the process, he seeks to instantiate this specific reader’s space, by retaliating upon this exact same format. These facsimile versions are annually disseminated during the Angoulême International Comics Festival, making use of the political traction of the manifestation in order to demonstrate that comic books exist in their primary state and conceived as a mass-produced object. are a powerful self-reflexive medium. (http://ilanmanouach.com/)