{"id":9696,"date":"2016-11-29T13:51:54","date_gmt":"2016-11-29T13:51:54","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=9696"},"modified":"2016-11-29T13:51:54","modified_gmt":"2016-11-29T13:51:54","slug":"cage-433","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=9696","title":{"rendered":"4&#8217;33&#8221;"},"content":{"rendered":"<div id=\"attachment_9705\" style=\"width: 439px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9705\" class=\"alignnone  wp-image-9705\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2016\/11\/710a9666e.jpg\" alt=\"710a9666e\" width=\"429\" height=\"589\"><p id=\"caption-attachment-9705\" class=\"wp-caption-text\">fonte:&nbsp;<a href=\"http:\/\/www.theatlantic.com\/technology\/archive\/2014\/03\/how-to-record-the-sound-of-silence\/284174\/\">theatlantic.com<\/a><\/p><\/div>\n<p>John Cage (Los Angeles\/ EUA, 1912 &#8211; 1992)<br \/>\n4&#8217;33&#8221;<br \/>\nLos Angeles, Edition Peters, 1989&nbsp; (1\u00aa ed. 1960)<br \/>\n23,4 x 30,2 cm.<br \/>\nIngl\u00eas<br \/>\nGrampo &#8211; p&amp;b<br \/>\nISBN: 979-0-3007-4483-4<\/p>\n<p>EDITION PETERS GROUP<br \/>\nLEIPZIG-LONDON-NEW YORK<br \/>\nwww.editionpeters.com<\/p>\n<p><a href=\"http:\/\/www.johncage.org\/\">http:\/\/www.johncage.org\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>John Cage (Los Angeles\/ EUA, 1912 &#8211; 1992) 4&#8217;33&#8221; Los Angeles, Edition Peters, 1989&nbsp; (1\u00aa ed. 1960) 23,4 x 30,2 cm. Ingl\u00eas Grampo &#8211; p&amp;b ISBN: 979-0-3007-4483-4 EDITION PETERS GROUP LEIPZIG-LONDON-NEW YORK www.editionpeters.com http:\/\/www.johncage.org\/<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,47],"tags":[85,138,358,463,668],"class_list":["post-9696","post","type-post","status-publish","format-standard","hentry","category-arte-conceitual","category-performance","tag-ainda-o-livro-como-performance","tag-arte-sonora","tag-fluxus","tag-john-cage","tag-partitura"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/9696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9696"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/9696\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}