{"id":7556,"date":"2017-04-21T10:00:46","date_gmt":"2017-04-21T13:00:46","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=7556"},"modified":"2017-04-21T10:00:46","modified_gmt":"2017-04-21T13:00:46","slug":"7556","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=7556","title":{"rendered":"Nosso Lar – Bras\u00edlia"},"content":{"rendered":"

\"Nosso<\/p>\n

Jonas Staal
\nNosso Lar – Bras\u00edlia
\nRio de Janeiro\/Amsterdam: Capacete\/Jap Sam Books, 2015
\n160 p.
\n12.5 x 18.5 cm
\nISBN 978-94-90322-45-8
\nGraphic design: Remco van Bladel \/ Studio for Graphic Design and typography
\nEditor: Vincent W.J. van Gerven Oei;
\nEditor\/Proofreader: Urok Shirhan;
\nTranslation English\/Portugese: Noelly Russo.<\/p>\n

Nosso Lar, Bras\u00edlia explores the relationship between Spiritism and Modernism in Brazilian architecture. Central to the book is a systematic comparison between the spiritist city of Nosso Lar (1944), as described by the medium Chico Xavier; and the modernist city of Bras\u00edlia (1956), the country’s capital as designed by L\u00facio Costa and Oscar Niemeyer.<\/p>\n

Jonas Staal (1981) is a visual artist whose work deals with the relationship between art, democracy and propaganda. He is the author of among others
\nPost-Propaganda (Amsterdam: Foundation BKVB, 2009);
\nPower?… To Which People?!(Heijningen: Jap Sam Books, 2010) and Closed Architecture (Eindhoven: Onomatopee, 2011).<\/p>\n

http:\/\/www.japsambooks.nl\/<\/a><\/p>\n

Salvar<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Jonas Staal Nosso Lar – Bras\u00edlia Rio de Janeiro\/Amsterdam: Capacete\/Jap Sam Books, 2015 160 p. 12.5 x 18.5 cm ISBN 978-94-90322-45-8 Graphic design: Remco van Bladel \/ Studio for Graphic Design and typography Editor: Vincent W.J. van Gerven Oei; Editor\/Proofreader: … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[61],"tags":[131,177],"class_list":["post-7556","post","type-post","status-publish","format-standard","hentry","category-utopia","tag-arquitetura","tag-brasilia"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/7556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7556"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/7556\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}