{"id":6993,"date":"2016-03-03T14:03:13","date_gmt":"2016-03-03T14:03:13","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=6993"},"modified":"2016-03-03T14:03:13","modified_gmt":"2016-03-03T14:03:13","slug":"textes-pour-suite-teksty-do-dalszego-ciagu-texts-as-follows","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=6993","title":{"rendered":"Textes pour suite \/ Teksty do dalszego ciagu \/ Texts as Follows"},"content":{"rendered":"\n

Lefevre Jean Claude
\nTextes pour suite \/ Teksty do dalszego ciagu \/ Texts as Follows
\nRennes, Incertain Sens, 2013
\ndos carr\u00e9 cousu coll\u00e9
\nimpression noir & blanc
\n[90p.]
\n20,7 x 15,7 cm
\n600 ex.
\nisbn 978-2-914291-57-6<\/span><\/p>\n

WTOREK, 25 LIPCA 1978, LONDYN.
\nOstatnia wystawa, u Barry Bakera, 37 Museum Street, ?wiadomie firmowana przez Andr\u00e9 Caderego. Aparatem 6 \u00d7 6 fotografuj? szefa galerii za biurkiem, za jego zgod?, i robi? zdj?cie z wystawy: trzy uj?cia* czarno-bia?e przyszpilone w linii na jedynej wolnej ?cianie.
\n[LJC notatka z 2004 roku]
\n* Dokument opublikowany w 1983 roku, z inicjatywy LJC Archive, w nieperiodycznej broszurze dystrybuowanej przez Ghislaina Mollet-Vi\u00e9ville i galeri? Durand-Dessert w Pary?u, a p\u00f3?niej w katalogu wystawy z 1996 roku, Andr\u00e9 Cadere, Unordnung herstellen, wydanego przez Kunstverein z Monachium [dyrektor: Dirk Snauwaert] oraz Landesmuseum Joanneum z Graz [kurator: Peter Weibel]; fotografia przyci?ta do formatu poziomego<\/p>\n

MARDI 25 JUILLET 1978, LONDRES.
\nDerni\u00e8re exposition, assum\u00e9e comme telle par Andr\u00e9 Cadere, chez Barry Barker, 37 Museum Street. \u00c0 l\u2019aide de mon appareil 6 \u00d7 6, photographie, avec son accord, le responsable \u00e0 son bureau et prends un clich\u00e9 de l\u2019accrochage : trois vues* en noir et blanc, format 24 \u00d7 36, \u00e9pingl\u00e9es en ligne sur le seul mur disponible.
\n[LJC note 2004]
\n*Document publi\u00e9 en 1983, \u00e0 l\u2019initiative de LJC Archive dans une brochure non-p\u00e9riodique diffus\u00e9e par Ghislain Mollet-Vi\u00e9ville et la galerie Durand-Dessert \u00e0 Paris, puis dans le catalogue d\u2019exposition de 1996, Andr\u00e9 Cadere, Unordnung herstellen, une publication du Kunstverein de Munich [Dirk Snauwaert, directeur] et du Landesmuseum Joanneum de Graz [Peter Weibel, curator] ; photographie recadr\u00e9e au format paysage.<\/p>\n

THURSDAY 2ND SEPTEMBER 1993,
\nacquire at a left-bank bookseller\u2019s stall a study of the Perret brothers published by the National Conservatory for Arts and Crafts, a catalogue dated 1976. Add this work to the archives concerning the piece under the reference AITSRS990.
\nThe same day, stop for a minute in front of the window of the Arnaud Lefebvre gallery. In the half-light, discover what could be called an autumn display\u2026 Still walking along the rue Mazarine, come across Jean-Dominique Carr\u00e9 who is busy writing a sign informing the passer-by of the new opening hours of his bookshop.
\nThus each one of us in one way or another underlines the fact that we are starting out on a new period of activity\u2026 following the organization of the school year. Classifying, cleaning, cutting out new cards, developing new categories; cleaning windows* and inevitably arranging new window displays. In the theatre this operation is called staging.
\n*The reproduction of a painting by the artist Yvan Pouni springs to mind: Cleaning Windows, dated 1915\u2026 in the book by Camilla Gray, The Russian Avant-Garde in Modern Art 1863-1922.
\nAt the terrace of the Mazarin caf\u00e9, on the corner of the rue Jacques Callot and the rue Mazarine, describe to my companion, the outline of the project which I have been thinking about for some time.
\nFrom this brief encounter note that Jean-Dominique Carr\u00e9 is indeed eager to set up a project both for his bookshop and for the adjoining apartment. To show his determination he talks about the length of the presentation and when it will take place; we decide on December 1993 as the deadline before which we must have something to show. The only constraint, which is perfectly understandable, is the desire on the part of our host not to remove Claude Rutault\u2019s work which has been in the rotunda and the hall of the apartment since 1991; papers, canvasses and captions which have, with time, come to form part of his life.<\/p>\n

JEUDI 2 SEPTEMBRE 1993,
\nfais l\u2019acquisition, chez un bouquiniste, quai rive-gauche, d\u2019une \u00e9tude sur les fr\u00e8res Perret, \u00e9dit\u00e9e par le conservatoire national des arts et m\u00e9tiers ; un catalogue dat\u00e9 1976. Joindre cet ouvrage aux archives de la pi\u00e8ce r\u00e9f\u00e9renc\u00e9e AITSRS1990.
\nCe m\u00eame jour, m\u2019arr\u00eate un instant devant la baie vitr\u00e9e de la galerie Arnaud Lefebvre. Dans la p\u00e9nombre, d\u00e9couvre ce que l\u2019on peut nommer un accrochage de rentr\u00e9e\u2026 Arpentant toujours la rue Mazarine, surprends Jean-Dominique Carr\u00e9 occup\u00e9 dans la r\u00e9daction d\u2019un carton informant le promeneur des nouvelles plages horaires d\u2019ouverture de sa librairie.
\nEt chacun de remarquer d\u2019une fa\u00e7on ou d\u2019une autre que nous entamons une nouvelle p\u00e9riode d\u2019activit\u00e9\u2026 calqu\u00e9e sur le rythme scolaire. Classer, nettoyer, d\u00e9couper de nouveaux cartels, d\u00e9velopper de nouvelles rubriques ; laver les vitres* et, n\u00e9cessairement, recomposer une vitrine originale. Au th\u00e9\u00e2tre cette op\u00e9ration a pour nom la mise en \u00e9tat.
\n* Me revient \u00e0 l\u2019esprit la reproduction d\u2019une peinture de l\u2019artiste Yvan Pouni, Lavage des fen\u00eatres, dat\u00e9e 1915\u2026 in l\u2019ouvrage de Camilla Gray, L\u2019avant-garde russe dans l\u2019art moderne 1863-1922.
\n\u00c0 la terrasse du Mazarin, angle des rues Jacques Callot et Mazarine, expose rapidement, pour mon interlocuteur, les grandes lignes d\u2019un projet auquel je pense depuis quelque temps d\u00e9j\u00e0.
\nDe cette br\u00e8ve rencontre, note que Jean-Dominique Carr\u00e9 est bien demandeur d\u2019un projet \u00e0 d\u00e9velopper, \u00e0 la fois dans la librairie et \u00e0 l\u2019appartement attenant. Pour marquer sa d\u00e9termination, notre libraire parle calendrier et dur\u00e9e de pr\u00e9sentation ; retenons d\u00e9cembre 1993, comme date limite avant laquelle nous devons nous manifester. Le seul point contraignant, est le souhait, tout \u00e0 fait compr\u00e9hensible de notre h\u00f4te, de ne pas se s\u00e9parer de la pi\u00e8ce de Claude Rutault ; oeuvre en place, depuis 1991, dans la rotonde et entr\u00e9e de l\u2019appartement ; papiers toiles et l\u00e9gendes jouant le r\u00f4le, avec le temps, de cadre de vie\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Lefevre Jean Claude Textes pour suite \/ Teksty do dalszego ciagu \/ Texts as Follows Rennes, Incertain Sens, 2013 dos carr\u00e9 cousu coll\u00e9 impression noir & blanc [90p.] 20,7 x 15,7 cm 600 ex. isbn 978-2-914291-57-6 WTOREK, 25 LIPCA 1978, … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[22,59,58],"tags":[420],"class_list":["post-6993","post","type-post","status-publish","format-standard","hentry","category-diario","category-escritos-de-artista","category-sobre-arte-contemporanea","tag-incertain-sens"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/6993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6993"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/6993\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}