{"id":6771,"date":"2016-03-01T15:28:51","date_gmt":"2016-03-01T15:28:51","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=6771"},"modified":"2016-03-01T15:28:51","modified_gmt":"2016-03-01T15:28:51","slug":"and-here-as","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=6771","title":{"rendered":"AND HERE, AS"},"content":{"rendered":"

\"as
\nPeter Downsbrough
\nAnd Here, as
\nRennes, Incertain Sens, 2005
\nbrochura
\noffset preto & branco
\n[72] p.
\n16,5 x 11 cm
\n1.500 ex.
\nisbn 2-914291-13-2<\/span><\/p>\n

Peut-\u00eatre est-ce un livre sur l’atelier de l’artiste, celui que montre la photo de la couverture, quelque peu \u00e9nigmatique. Toujours est-il que les pages qui suivent parlent (AS\/IF, SET\/ABOUT, etc.) d’un lieu (IN\/OUT, HERE\/OR\/THERE, etc.) et de la fa\u00e7on dont on en fait l’exp\u00e9rience (LIMITES\/TIME, AGAIN\/BUT, etc.), car ce livre d\u00e9ploie un langage plastique ; langage o\u00f9 d’ailleurs le lecteur reconna\u00eet la signature de Peter Downsbrough. Des mots dont la forme se transforme (recto\/verso, coupure\/s\u00e9paration, slash s\u00e9cant, etc.) sont associ\u00e9s \u00e0 quelques formes graphiques (carr\u00e9, grille, aplat) pour former une structure dont les configurations sont comme autant d’\u00e9nonc\u00e9s \u00e0 lire. Seulement, leur sens se d\u00e9robe \u00e0 toute d\u00e9termination concr\u00e8te. Mais, insaisissable, il entra\u00eene le lecteur toujours loin au-del\u00e0 de ce qu’il montre. D’o\u00f9 le paradoxe : autant l’hypoth\u00e8se de l’atelier de l’artiste reste enti\u00e8rement incertaine, autant l’\u00e9nigme se dissipe \u00e0 la lecture du livre, car si est \u00e9nigmatique ce dont on sait trop peu, nous n’en savons maintenant que trop – une fois le livre referm\u00e9 – pour pouvoir le dire.<\/p>\n\n","protected":false},"excerpt":{"rendered":"

Peter Downsbrough And Here, as Rennes, Incertain Sens, 2005 brochura offset preto & branco [72] p. 16,5 x 11 cm 1.500 ex. isbn 2-914291-13-2 Peut-\u00eatre est-ce un livre sur l’atelier de l’artiste, celui que montre la photo de la couverture, … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,6],"tags":[683],"class_list":["post-6771","post","type-post","status-publish","format-standard","hentry","category-arte-como-ideia","category-arte-para-o-livro","tag-peter-downsbrough"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/6771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6771"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/6771\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}