{"id":6241,"date":"2016-03-28T17:57:44","date_gmt":"2016-03-28T17:57:44","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=6241"},"modified":"2016-03-28T17:57:44","modified_gmt":"2016-03-28T17:57:44","slug":"sans-titre","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=6241","title":{"rendered":"sans titre"},"content":{"rendered":"\n

Jeanne Gailhoustet
\n<\/span>[sans titre]<\/span>
\n<\/span>Rennes, Incertain Sens, 2011
\n[12 p.]
\ncartonn\u00e9es, agraf\u00e9es
\noffset couleur et or
\n15,5 x 20 cm.
\n1000 exemplares
\nisbn 978-2-914291-44-6<\/span>.
\nPubli\u00e9 avec le soutien de l’UFR Arts, Lettres, Communication de l’universit\u00e9 Rennes 2.<\/p>\n\n\n\n

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 “<\/span>A Abadia Real de<\/span> Fontevraud<\/span> foi fundada<\/span> em 1101<\/span>; at\u00e9<\/span> 1792,<\/span> ela se manteve<\/span> sob a dire\u00e7\u00e3o de<\/span> Abadessas<\/span> poderosas.<\/span> Napole\u00e3o<\/span> a transformou em<\/span> casa de corre\u00e7\u00e3o<\/span> em 1804.<\/span> A pris\u00e3o<\/span> foi fechada em 1963<\/span>.<\/span>
\nPoucos<\/span> tra\u00e7os<\/span> permanecem<\/span> leg\u00edveis<\/span> do<\/span> tempo da penitenci\u00e1ria<\/span>, a abadia<\/span> sofreu muitas<\/span> obras de restaura\u00e7\u00e3o<\/span>.<\/span> Em<\/span> um antigo quarto<\/span> da enfermaria<\/span> S\u00e3o Bento<\/span>, a dire\u00e7\u00e3o da pris\u00e3o<\/span> construiu<\/span> “<\/span>galinheiros<\/span>” para acomodar<\/span> os presos<\/span> em<\/span> isolamento.<\/span> Eles<\/span> foram preservados.<\/span> Estas<\/span> pequenas celas<\/span> n\u00e3o permitem deitar<\/span> totalmente<\/span> esticado na cama<\/span>; o prisioneiro<\/span> passava <\/span>longos momentos com<\/span> a cabe\u00e7a apoiada<\/span> contra a parede”.<\/span><\/span><\/p>\n\n\n\n

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<\/a><\/p>\n\n\n\n

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“L\u2019abbaye royale de Fontevraud a \u00e9t\u00e9 fond\u00e9e en 1101 ; jusqu\u2019en 1792, elle se d\u00e9veloppe sous la direction de puissantes Abbesses. Napol\u00e9on la r\u00e9affecte en maison de force et de correction en 1804. La prison ferme en 1963.<\/span><\/p>\n

Peu de traces lisibles restent de l\u2019\u00e9poque p\u00e9nitentiaire, le site de l\u2019abbaye a subi de nombreuses campagnes de restauration. Dans une ancienne chambre de l\u2019infirmerie Saint Beno\u00eet, la direction de la centrale a construit des \u00ab cages \u00e0 poules \u00bb pour accueillir les prisonniers \u00e0 isoler. Elles ont \u00e9t\u00e9 conserv\u00e9es. Ces cellules minuscules ne permettaient pas de s\u2019allonger int\u00e9gralement sur la couche; le prisonnier passait l\u00e0 de longs moments, la t\u00eate appuy\u00e9e contre le mur.”<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Jeanne Gailhoustet [sans titre] Rennes, Incertain Sens, 2011 [12 p.] cartonn\u00e9es, agraf\u00e9es offset couleur et or 15,5 x 20 cm. 1000 exemplares isbn 978-2-914291-44-6. Publi\u00e9 avec le soutien de l’UFR Arts, Lettres, Communication de l’universit\u00e9 Rennes 2.    “A Abadia … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-6241","post","type-post","status-publish","format-standard","hentry","category-arte-e-sociedade"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/6241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6241"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/6241\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}