{"id":4217,"date":"2015-08-10T11:00:00","date_gmt":"2015-08-10T14:00:00","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=4217"},"modified":"2015-08-10T11:00:00","modified_gmt":"2015-08-10T14:00:00","slug":"water-towers","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=4217","title":{"rendered":"Water towers"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11571\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/08\/becher.jpg\" alt=\"becher\" width=\"220\" height=\"317\"><\/p>\n<p>Bernd Becher (Siegen, Alemanha, 1931)<br \/>\nHilla Becher (Berlim, Alemanha, 1934)<br \/>\nWater Towers<br \/>\nMIT Press, 1988<br \/>\n9.2 x 11.2 in<br \/>\n223 p.<br \/>\nISBN: 9780262022774<\/p>\n<p>As 224 fotografias de torres de \u00e1gua do casal Becher formam uma \u00fanica vis\u00e3o, com um \u00fanico pensamento. Elas foram tiradas de at\u00e9 8 \u00e2ngulos, ao longo de um per\u00edodo de 25 anos, com uma abordagem estil\u00edstica t\u00e3o consistente que as fotografias justapostas da d\u00e9cada de 1950 e 1980 sugerem um retrato minuto a minuto das estruturas industriais feitas de concreto, estruturas de madeira e metais sem adornos.<\/p>\n<p>Sempre tomadas em com c\u00e9us cinzas, ou sob a luz nebulosa de zonas industriais, estas belas fotografias aparentemente sem art\u00edficio ocultam o processo elaborado que envolve as decis\u00f5es para cri\u00e1-las, subindo com a c\u00e2mera em andaimes e escadas, \u00e0 espera de nuvens para bloquear o sol, contando com a colabora\u00e7\u00e3o de guardas de seguran\u00e7a para remover todos os sinais de vida humana da cena.<\/p>\n<p><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/08\/water-towers.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4218\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/08\/water-towers.jpg?w=240\" alt=\"water towers\" width=\"240\" height=\"300\"><\/a><\/p>\n<p>The Bechers&#8217; 224 photographs of watertowers comprise a unique, single minded, even obsessive mission. They were taken from as many as 8 angles, over a period of 25 years, with a stylistic approach so consistent that photographs juxtaposed from the 1950s and 1980s suggest a minute to minute account deadpan portraits of unadorned metal, concrete, and wooden structures.<\/p>\n<p>Always taken in overcast skier, or in the hazy sunlight of industrial zones, these seemingly artless photographs belle the elaborate process and decisions involved in creating them elevating the camera on scaffolds or ladders, waiting for clouds to block the sun, enlisting the cooperation of plant foreman and security guards to remove all signs of human life from the scene.<\/p>\n<p><a href=\"http:\/\/mitpress.mit.edu\/books\/water-towers\">http:\/\/mitpress.mit.edu\/<\/a><\/p>\n<p><span style=\"border-radius:2px;text-indent:20px;width:auto;padding:0 4px 0 0;text-align:center;font:bold 11px\/20px 'Helvetica Neue', Helvetica, sans-serif;color:#ffffff;background:#bd081c no-repeat scroll 3px 50% \/ 14px 14px;position:absolute;opacity:1;z-index:8675309;display:none;cursor:pointer;top:606px;left:20px;\">Salvar<\/span><\/p>\n<p><span style=\"border-radius:2px;text-indent:20px;width:auto;padding:0 4px 0 0;text-align:center;font:bold 11px\/20px 'Helvetica Neue', Helvetica, sans-serif;color:#ffffff;background:#bd081c no-repeat scroll 3px 50% \/ 14px 14px;position:absolute;opacity:1;z-index:8675309;display:none;cursor:pointer;top:977px;left:20px;\">Salvar<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bernd Becher (Siegen, Alemanha, 1931) Hilla Becher (Berlim, Alemanha, 1934) Water Towers MIT Press, 1988 9.2 x 11.2 in 223 p. ISBN: 9780262022774 As 224 fotografias de torres de \u00e1gua do casal Becher formam uma \u00fanica vis\u00e3o, com um \u00fanico &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=4217\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17,31],"tags":[],"class_list":["post-4217","post","type-post","status-publish","format-standard","hentry","category-coleta","category-inventario"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/4217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4217"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/4217\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}