{"id":4107,"date":"2015-08-06T14:00:00","date_gmt":"2015-08-06T14:00:00","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=4107"},"modified":"2015-08-06T14:00:00","modified_gmt":"2015-08-06T14:00:00","slug":"self-hipnosis-2","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=4107","title":{"rendered":"Self Hipnosis"},"content":{"rendered":"<p><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/10\/leandro-katz_self-hipnosis_1975_cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5085\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/10\/leandro-katz_self-hipnosis_1975_cover.jpg?w=237\" alt=\"leandro-katz_self-hipnosis_1975_cover\" width=\"237\" height=\"281\" \/><\/a><\/p>\n<p>Leandro Katz (Buenos Aires, Argentina, 1938)<br \/>\nSelf Hipnosis<br \/>\nNew York: Viper&#8217;s Tongue Books, TVRT Press, 1975<br \/>\nPages: [18] p.<br \/>\nDimensions: 25 x 20 cm.<br \/>\nEdition size: unknown<\/p>\n<p><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/10\/leandro-katz_self-hipnosis_1975_inside.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5084 size-full\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/10\/leandro-katz_self-hipnosis_1975_inside.jpg\" alt=\"leandro-katz_self-hipnosis_1975_inside\" width=\"465\" height=\"281\" \/><\/a><\/p>\n<p>On each page of this book one of eighteen identical photographs of a single billboard in Curacao advertising &#8220;Hipnotismo&#8221; is laid out next to a Mayan numeral and its Arabic counterpart. Beneath these visual pairings runs a text composed when the artist was back in New York under the influence of Severo Sarduy, Roland Barthes, Guy Debord, Charles Ludlam and especially Raoul Vaneigem.<\/p>\n<blockquote><p>\u201cThe photographs for this piece were taken in a period of thirty-six seconds during a trip to the island of Curacao, where Papiamento \u2013 a tropicalization of cold-weather languages \u2013 is spoken. There I read the work of Sylvanus G. Morley, whose obsession with the American past I swear made me scribble Mayan numerals in my sleep off the ground and into the night very possibly after a cabalistic formula to be used the next evening in the local roulette. [\u2026] \u201d (L.K.)<\/p><\/blockquote>\n<p>imagens: <a href=\"http:\/\/daskunstbuch.at\/2014\/09\/26\/kunstlerbuch-artists-book-leandro-katz-self-hipnosis-vipers-tongue-books-new-york-1975\/\">http:\/\/daskunstbuch.at<br \/>\n<\/a>site do artista: <a href=\"http:\/\/www.leandrokatz.com\/Pages\/Books.html\">http:\/\/www.leandrokatz.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leandro Katz (Buenos Aires, Argentina, 1938) Self Hipnosis New York: Viper&#8217;s Tongue Books, TVRT Press, 1975 Pages: [18] p. Dimensions: 25 x 20 cm. Edition size: unknown On each page of this book one of eighteen identical photographs of a &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=4107\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[108,510],"class_list":["post-4107","post","type-post","status-publish","format-standard","hentry","category-arte-e-sociedade","tag-america-latina","tag-leandro-katz"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/4107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4107"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/4107\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}