{"id":4015,"date":"2015-08-02T14:00:00","date_gmt":"2015-08-02T14:00:00","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=4015"},"modified":"2015-08-02T14:00:00","modified_gmt":"2015-08-02T14:00:00","slug":"otts-sneeze","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=4015","title":{"rendered":"Ott’s Sneeze"},"content":{"rendered":"

\"OttsSneezeCover\"<\/a><\/p>\n

Neal White; Lawrence Norfolk
\nOtt’s Sneeze<\/strong>
\nLondon, Book Works, 2002
\ns\u00e9rie New Writing
\nDesign: Silke Roch
\nOffset; duas cores;
\n108 p.
\n21 x 14,8 cm;
\n1.500 ex.
\nISBN: 978 1 870699 52 5<\/p>\n

No dia 7 de\u00a0<\/span>janeiro\u00a0<\/span>de 1894,<\/span> no laborat\u00f3rio de Thomas Edison em West Orange, W.K.L. Dickson testava a primeira c\u00e2mera de cinema do mundo: o Kinetograph.\u00a0<\/span>Frederic<\/span> P.<\/span> Ott,<\/span> um<\/span> assistente de laborat\u00f3rio<\/span> situou-se diante da primeira<\/span> c\u00e2mera de filme<\/span> do mundo e<\/span> espirrou.<\/span> <\/span> O paradoxo<\/span> dos<\/span> quarenta e cinco<\/span> quadros de<\/span> “Record of a Sneeze”<\/span> \u00e9 que ele<\/span> n\u00e3o mostra nenhum<\/span> espirro<\/span> –<\/span> as gotas e<\/span>\u00a0got\u00edculas da<\/span> explos\u00e3o<\/span> de Ott<\/span> eram muitas, muito<\/span> r\u00e1pidas<\/span> ou<\/span> muito pequenas.<\/span> Tendo<\/span> escapado<\/span> do<\/span> Kinetograph<\/span>, o espirro<\/span> passou mais de<\/span> um s\u00e9culo no<\/span> limbo<\/span> de representa\u00e7\u00e3o<\/span>; anunciado perpetuamente<\/span>, mas nunca visto<\/span>.<\/span><\/p>\n

Em<\/span> Ott’s<\/span> Sneeze<\/span>, o romancista<\/span> Lawrence<\/span> Norfolk<\/span> (Londres,<\/span> 1963)<\/span> e o artista<\/span> Neal<\/span> White <\/span>reconstru\u00edram este<\/span> espirro<\/span> que faltava, e<\/span>mpregando<\/span> os mais recentes avan\u00e7os<\/span> em<\/span> tecnologias de laser<\/span>, v\u00eddeo e computador<\/span>. A<\/span>\u00a0sequ\u00eancia de fotografias<\/span> que resulta do espirro em progresso <\/span>no espa\u00e7o \u00e9<\/span> mostrada ao lado<\/span> dos\u00a0quarenta e cinco<\/span> quadros<\/span> <\/span>originais <\/span><\/span>de Dickinson,<\/span> juntamente com um coment\u00e1rio<\/span> que liga os dois<\/span> s\u00e9culos.<\/span><\/span><\/p>\n

\"OttsSneezeSpread\"<\/a><\/p>\n

On January 7 1894, Frederic P. Ott, a laboratory assistant of W.K.L. Dickson (the inventor of the Kinetograph) stood before the world\u2019s first movie camera and sneezed. The paradox of the forty-five frames of Record of a Sneeze is that it shows no sneeze – the droplets and globules of Ott\u2019s explosion were too fast, too many or too small. Having eluded the Kinetograph, the sneeze has spent more than a century in representational limbo; perpetually announced, perpetually failing to appear.<\/p>\n

In Ott’s Sneeze, novelist Lawrence Norfolk and artist Neal White have reconstructed this missing sneeze employing the most recent developments in laser, video and computer technologies. The resulting sequence of photographs of the progression of the sneeze in space is shown alongside Dickson\u2019s original forty-five frames together with a commentary linking the two centuries.<\/p>\n","protected":false},"excerpt":{"rendered":"

Neal White; Lawrence Norfolk Ott’s Sneeze London, Book Works, 2002 s\u00e9rie New Writing Design: Silke Roch Offset; duas cores; 108 p. 21 x 14,8 cm; 1.500 ex. ISBN: 978 1 870699 52 5 No dia 7 de\u00a0janeiro\u00a0de 1894, no laborat\u00f3rio … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[40],"tags":[647],"class_list":["post-4015","post","type-post","status-publish","format-standard","hentry","category-narrativa","tag-o-artista-e-a-fotografia"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/4015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4015"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/4015\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}