{"id":4009,"date":"2015-08-02T14:00:00","date_gmt":"2015-08-02T14:00:00","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=4009"},"modified":"2015-08-02T14:00:00","modified_gmt":"2015-08-02T14:00:00","slug":"one-man-system","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=4009","title":{"rendered":"One Man System"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-5604\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/08\/e1p6-07.jpg\" alt=\"E1P6-07\" width=\"454\" height=\"629\" \/><\/p>\n<p>Silvan K\u00e4lin, 1981- (Lucerne\/ SU\u00cd\u00c7A)<br \/>\n<strong>One Man System<\/strong><br \/>\nEd. do autor<br \/>\nRecife, 2010<br \/>\n<span style=\"font-style:inherit;\">brochura; 15 x 21 cm<\/span><\/p>\n<p>The found plastic figure of a simple, clownlike man serves as basic mold for reproduction.<br \/>\nI have named it One Man. Ignoring its original use or purpose, the mold of the figure is being used as universal matrix to reinvent and generate new products.<br \/>\nOne Man is the form giving grinning face. Its potential iconographic possibilities are experimented in this project.<\/p>\n<p>http:\/\/amarelo.ch\/<\/p>\n<p><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/08\/one-man-system.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4010\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/08\/one-man-system.jpg?w=300\" alt=\"one man system\" width=\"300\" height=\"219\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Silvan K\u00e4lin, 1981- (Lucerne\/ SU\u00cd\u00c7A) One Man System Ed. do autor Recife, 2010 brochura; 15 x 21 cm The found plastic figure of a simple, clownlike man serves as basic mold for reproduction. I have named it One Man. Ignoring &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=4009\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[648],"class_list":["post-4009","post","type-post","status-publish","format-standard","hentry","category-arte-e-sociedade","tag-o-desenho-como-instrumento"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/4009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4009"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/4009\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4009"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4009"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}