{"id":3973,"date":"2015-08-01T14:00:00","date_gmt":"2015-08-01T14:00:00","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=3973"},"modified":"2023-11-14T16:27:38","modified_gmt":"2023-11-14T19:27:38","slug":"museu-do-homem-do-nordeste","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=3973","title":{"rendered":"Museu do Homem do Nordeste"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"722\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2023\/11\/6ef226738bf2967948d72bd7c7afcfb7-1024x722.jpeg\" alt=\"\" class=\"wp-image-27360\" srcset=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2023\/11\/6ef226738bf2967948d72bd7c7afcfb7-1024x722.jpeg 1024w, https:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2023\/11\/6ef226738bf2967948d72bd7c7afcfb7-300x212.jpeg 300w, https:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2023\/11\/6ef226738bf2967948d72bd7c7afcfb7-768x541.jpeg 768w, https:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2023\/11\/6ef226738bf2967948d72bd7c7afcfb7-1536x1083.jpeg 1536w, https:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2023\/11\/6ef226738bf2967948d72bd7c7afcfb7-2048x1444.jpeg 2048w, https:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2023\/11\/6ef226738bf2967948d72bd7c7afcfb7-426x300.jpeg 426w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<p><br \/>T\u00edtulo: Museu do Homem do Nordeste<br \/>Autor: Jonathas de Andrade<br \/>Editora: Mousse\/Tijuana<br \/>Local de publica\u00e7\u00e3o: Berlim\/S\u00e3o Paulo, 2013<br \/>\u00e9dition bilingue (anglais \/ portugais)<br \/>19,2 x 28 cm (brochura, encaderna\u00e7\u00e3o espiral)<br \/>50 p. (ill.)<br \/>ISBN: 978-989-98213-1-2<\/p>\n<p><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/07\/museu-do-homem1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3975\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/07\/museu-do-homem1.jpg?w=300\" alt=\"museu do homem1\" width=\"300\" height=\"220\" \/><\/a><\/p>\n<p>\u00a0<\/p>\n<p><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/07\/museu-do-homem4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3977\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/07\/museu-do-homem4.jpg?w=300\" alt=\"museu do homem4\" width=\"300\" height=\"220\" \/><\/a><\/p>\n<div class=\"texte\">\n<div class=\"citation\">Con\u00e7ue comme \u0153uvre \u00e0 part enti\u00e8re dans le cadre de la premi\u00e8re exposition de l&#8217;artiste br\u00e9silien en Europe, cette publication rassemble une s\u00e9rie de posters hypoth\u00e9tiques pour le \u00ab\u00a0Museu do Homem do Nordeste\u00a0\u00bb (le mus\u00e9e ethnographique fond\u00e9 \u00e0 Recife au Br\u00e9sil par le sociologue et \u00e9crivain Gilberto Freyre dans les ann\u00e9es 1970), une s\u00e9rie de portraits d&#8217;hommes de la classe populaire de Recife d\u00e9march\u00e9s dans la rue ou par petites annonces qui interroge la notion d&#8217;identit\u00e9 r\u00e9gionale \/ nationale.<\/div>\n<div>\u00a0<\/div>\n<\/div>\n<div class=\"notes\">Publi\u00e9 \u00e0 l&#8217;occasion de l&#8217;exposition \u00e9ponyme \u00e0 la Kunsthalle Lissabon en 2013.<\/div>\n<div class=\"bio\">\u00a0<\/div>\n<p><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/07\/museus-do-homem3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3978\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/07\/museus-do-homem3.jpg?w=300\" alt=\"museus do homem3\" width=\"300\" height=\"220\" \/><\/a><\/p>\n<p>L&#8217;\u0153uvre de Jonathas de Andrade Souza (n\u00e9 en 1982 \u00e0 Macei\u00f3, Br\u00e9sil, vit et travaille \u00e0 Recife) se fonde sur des recherches historiques, textuelles et photographiques. \u00c0 partir d&#8217;un processus de documentation d&#8217;une pr\u00e9cision quasi-anthropologique, l&#8217;artiste d\u00e9veloppe des installations conceptuelles qui mettent au jour l&#8217;amn\u00e9sie culturelle frappant un certain nombre de r\u00e9alit\u00e9s sociales, politiques, culturelles et id\u00e9ologiques du monde contemporain.<\/p>\n<p><a href=\"http:\/\/www.lespressesdureel.com\/ouvrage.php?id=3047&amp;menu=0\">http:\/\/www.lespressesdureel.com\/<\/a><\/p>\n<p><a href=\"https:\/\/cargocollective.com\/jonathasdeandrade\/cartazes-para-o-museu\">https:\/\/cargocollective.com\/jonathasdeandrade\/cartazes-para-o-museu<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>T\u00edtulo: Museu do Homem do NordesteAutor: Jonathas de AndradeEditora: Mousse\/TijuanaLocal de publica\u00e7\u00e3o: Berlim\/S\u00e3o Paulo, 2013\u00e9dition bilingue (anglais \/ portugais)19,2 x 28 cm (brochura, encaderna\u00e7\u00e3o espiral)50 p. (ill.)ISBN: 978-989-98213-1-2 \u00a0 Con\u00e7ue comme \u0153uvre \u00e0 part enti\u00e8re dans le cadre de la &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=3973\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19],"tags":[108,466],"class_list":["post-3973","post","type-post","status-publish","format-standard","hentry","category-cultura","tag-america-latina","tag-jonathas-de-andrade"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/3973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3973"}],"version-history":[{"count":1,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/3973\/revisions"}],"predecessor-version":[{"id":27361,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/3973\/revisions\/27361"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}