{"id":3341,"date":"2015-08-29T14:00:48","date_gmt":"2015-08-29T14:00:48","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=3341"},"modified":"2015-08-29T14:00:48","modified_gmt":"2015-08-29T14:00:48","slug":"oei-magazine","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=3341","title":{"rendered":"OEI Magazine"},"content":{"rendered":"

\"OEI_66\"<\/a><\/p>\n

OEI – n\u00ba 66
\n520 pag
\nOEI Edit\u00f6r (27 Sept. 2014)
\nLanguage: English
\nISBN-10: 9185905690
\nISBN-13: 978-9185905690
\n19,5 x 3,6 x 29,7 cm<\/p>\n

A biblioteca recebeu um exemplar da revista sueca OEI, edi\u00e7\u00e3o dedicada ao poema-processo. A edi\u00e7\u00e3o \u00e9 incr\u00edvel, com imagens de boa qualidade de obras seminais de Alvaro de S\u00e1, Neide de S\u00e1, Falves Silva e Moacy Cirne.<\/p>\n

Tem entrevista com os membros fundadores do movimento e a reprodu\u00e7\u00e3o completa do livro “A Ave”, de Wlademir Dias-Pino, obra que \u00e9 considerada pelo Ulises Carri\u00f3n um dos primeiros exemplos de livro de artista. Aguardamos a publica\u00e7\u00e3o de algo semelhante no Brasil.<\/p>\n

Algumas obras reproduzidas na revista fazem parte do acervo da Cole\u00e7\u00e3o Livro de Artista da UFMG. <\/span><\/p>\n

\n

OEI # 66: Process\/poem (poema\/processo)
\nOEI # 66 is the first substantial presentation outside of Brazil of the avant-garde movement poema\/processo (process\/poem), launched at the same time, on December 11 1967, in Rio de Janeiro and Natal. Due to pressure from the military dictatorship the movement was brought to a halt in 1972, but several of the initial participants have continued to work up until today (Wlademir Dias-Pino, Neide de S\u00e1, Falves Silva\u2026).<\/p>\n

OEI # 66 is a 520 pages long montage of images and documents, translations of manifestos and key essays, and interviews and new essays by Fernanda Nogueira, Antonio Sergio Bessa and many others. It also features shorter presentations of three other Brazilian avant-garde movements from the 60s, 70s and early 80s: poesia pr\u00e1xis, poesia marginal and pornismo.<\/p>\n

OEI # 66 is edited by Jonas (J) Magnusson, Cecilia Gr\u00f6nberg and Tobi Maier.<\/p>\n

Content: Introduction \/\/ Proposition \/\/ Process \u2013 reading of the project \/\/ Halt \u2013 tactic option \/\/ Limit situation: distinctions & consequences \/\/ Process\u2009\/poem \/\/ Reading \/ writing \/\/ Poem out of process \/ 1 \/\/ Process\u2009\/poem: reading of products (of positions\u2009), Wlademir Dias-Pino \/\/ Ponto 1 \/\/ [Presentation of Brasil meia-meia], Wlademir Dias-Pino \/\/ The system and the revolutionary openings, Moacy Cirne \/\/ The time of the poem, \u00c1lvaro de S\u00e1 \/\/ O Sol \/\/ Ponto 2 \/\/ Two or three things about poema\/processo, Moacy Cirne Poema\/processo. \/\/ Poetic radicality and dissent, Fernanda Nogueira \/\/ The avant-garde beyond the Avant-garde \u2013 The case of poema\/processo in Brazil, Fernanda Nogueira \/\/ Intensified reading, expanded writing (a conversation with Wlademir Dias-Pino on intensivism, concrete poetry, process\/poem and the visual encyclopedia) \/\/ A AVE (1956), Wlademir Dias-Pino \/\/ Processo 1 \/\/ V\u00edrgula \/\/ Poema\/processo: a new reading, \u00c1lvaro de S\u00e1 \/\/ The origin of the book-poem, \u00c1lvaro de S\u00e1 & Moacy Cirne \/\/ The poem and the electronic opening, \u00c1lvaro de S\u00e1 \/\/ Avant-garde: a semiological project, Moacy Cirne \/\/ Writing and information (on Wlademir Dias-Pino\u2019s book-poems), Priscilla Guimar\u00e3es Martins \/\/ Pages from A AVE (estudo cr\u00edtico), Wlademir Dias-Pino \/\/ Pages from SOLIDA (critical study), Wlademir Dias-Pino \/\/ A AVE and SOLIDA by Wlademir Dias-Pino. The poetic semiotics as tactile and tactic device, Fernanda Nogueira \/\/ A Marca e o Logotipo Brasileiros, Wlademir Dias-Pino & Jo\u00e3o Fel\u00edcio dos Santos \/\/ Pr\u00e9-Hist\u00f3ria: uma leitura projetada, Wlademir Dias-Pino \/\/ Enciclop\u00e9dia Visual, Wlademir Dias-Pino \/\/ Wlademir Dias-Pino\u2019s white encyclopedia, Rogerio Camara \/\/ Unfolding processes (an interview with Neide de S\u00e1) \/\/ Founding proposals of poema\u2009\/processo, Neide de S\u00e1 \/\/ Neide S\u00e1\u2019s process\/poems, Eduardo Kac \/\/ Poema\/processo & comics, Moacy Cirne \/\/ 12\u2009x\u20099 (1967), \u00c1lvaro de S\u00e1 \/\/ The War of Words, Antonio Sergio Bessa \/\/ Theory of guerrilla art, D\u00e9cio Pignatari \/\/ New language, new poetry, Luis \u00c2ngelo Pinto & D\u00e9cio Pignatari \/\/ New poetry, new process: 8 points \/\/ N\u00e3o ao n\u00e3o (1969\/1970), Dalor Varela \/\/ Falves Silva \u2013 the transgressive eye, Jota Medeiros \/\/ The creative explovision of the process\/poem, Falves Silva \/\/ Poema\/processo in the Northeast (an interview with Falves Silva by Cristina Freire) \/\/ A Falves Silva poem, D\u00e1cio Galv\u00e3o \/\/ Elementos da Semi\u00f3tica, Falves Silva \/\/ New Latin-American Poetry (an interview with Clemente Pad\u00edn by Cristina Freire) \/\/ How I connected with poema\/processo?, Clemente Pad\u00edn \/\/ The reading as an object of the eye, Almandrade \/\/ Working outside of the circuit (an interview with Almandrade) \/\/ BR.\u2013 Meia Meia\u2013 W. Dias-Pino, Almandrade \/\/ Brief synopsis of poema\/processo, \u00c1lvaro de S\u00e1 \/\/ Poema-pr\u00e1xis (didactical manifesto), M\u00e1rio Chamie \/\/ Poesia Marginal, Sergio Cohn \/\/ Intersemiotic poetry and experimental magazines (an interview with Omar Khouri) \/\/ Criticality and vertigo (an interview with R\u00e9gis Bonvicino) \/\/ Middle Class & Co and other works, Regina Silveira \/\/ In the Mail Art Circuit, Regina Silveira \/\/ Making love to a Xerox machine (an interview with Hudinilson Jr.) \/\/ The Porn Art Movement: A Brazilian Avant-Garde, 1980\u20131982, Eduardo Kac<\/p>\n

http:\/\/www.oei.nu\/w\/3.html<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

OEI – n\u00ba 66 520 pag OEI Edit\u00f6r (27 Sept. 2014) Language: English ISBN-10: 9185905690 ISBN-13: 978-9185905690 19,5 x 3,6 x 29,7 cm A biblioteca recebeu um exemplar da revista sueca OEI, edi\u00e7\u00e3o dedicada ao poema-processo. A edi\u00e7\u00e3o \u00e9 incr\u00edvel, … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[43,55],"tags":[690],"class_list":["post-3341","post","type-post","status-publish","format-standard","hentry","category-obra-de-referencia","category-revista","tag-poema-processo"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/3341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3341"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/3341\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}