{"id":3291,"date":"2015-10-01T11:27:23","date_gmt":"2015-10-01T11:27:23","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=3291"},"modified":"2015-10-01T11:27:23","modified_gmt":"2015-10-01T11:27:23","slug":"a-revista","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=3291","title":{"rendered":"A Revista"},"content":{"rendered":"
\n

\"20120706_204536_caderno-07_\"<\/a>Caderno Sesc_Videobrasil 7: A Revista<\/strong><\/p>\n

Editor: Rodrigo Moura.
\nColaboradores: Ana Martins Marques, Arnaldo Antunes, Cildo Meireles, Claudia Andujar, Eduardo Costa, Erika Verzutti, Fabio Morais, Jorge Macchi e Rivane Neuenschwander. Edi\u00e7\u00f5es Sesc-SP e Associa\u00e7\u00e3o Cultural Videobrasil, 2011
\n144 p\u00e1ginas. Portugu\u00eas\/ingl\u00eas.
\nISSN 1808-6675.
\nLargura: 18,5 cm\/Altura: 23,5 cm Lombada: 1,3 cm<\/p>\n

A Revista toma seu nome emprestado de uma c\u00e9lebre publica\u00e7\u00e3o liter\u00e1ria de 1925, do grupo modernista de Belo Horizonte. Sob a edi\u00e7\u00e3o de Rodrigo Moura e com design da artista Maril\u00e1 Dardot, a edi\u00e7\u00e3o prop\u00f5e uma revista feita de p\u00e1ginas de revistas de arte, cultura e literatura publicadas no Brasil entre os anos 1920 e 1990, e fora de circula\u00e7\u00e3o.<\/p>\n

Partindo da ideia de estabelecer rela\u00e7\u00f5es entre trabalhos art\u00edsticos, textos e a m\u00eddia impressa, A Revista evoca o uso de revistas e suas p\u00e1ginas como espa\u00e7o para a arte, tanto em projetos criados originalmente para peri\u00f3dicos brasileiros de arte quanto em interven\u00e7\u00f5es pensadas ou cedidas por nove colaboradores: Ana Martins Marques, Arnaldo Antunes, Cildo Meireles, Claudia Andujar, Eduardo Costa, Erika Verzutti, Fabio Morais, Jorge Macchi e Rivane Neuenschwander.<\/p>\n

Dispon\u00edvel para compra na loja virtual do SESC<\/a>.<\/p>\n

Acesse aqui<\/a> o PDF da publica\u00e7\u00e3o.<\/p>\n

http:\/\/site.videobrasil.org.br\/publicacoes\/caderno\/07<\/a><\/p>\n<\/div>\n

Edited by the curator Rodrigo Moura, the seventh edition of Caderno SESC_Videobrasil, A Revista (Edi\u00e7\u00f5es SESC; 144 pages) comprises excerpts from Brazilian art and culture magazines dating from the 1920s to the 1990s, in addition to works by artists and writers who comment on said publishing format. The magazine was designed by artist Maril\u00e1 Dardot.<\/p>\n

Faced with the rapidly changing media scenario, the seventh edition of the Caderno sets out to revisit the symbolical and physical character of magazines, not to reaffirm it as much as to deconstruct it and test its limits.<\/p>\n

Caderno 7 borrows its title from the famous Minas Gerais-based publication A Revista<\/i>, founded in 1930 by Carlos Drummond de Andrade and Em\u00edlio Moura. In cut-outs from magazines that played an important role in carving out a territory for art in Brazil, such as GAM, M\u00f3dulo<\/i>, and Arte em Revista<\/i>, works by H\u00e9lio Oiticica, Lina Bo Bardi, and Nelson Leirner reemerge, among others.<\/p>\n

Nine collaborators were invited to create projects specifically for the publication: Arnaldo Antunes, Rivane Neuenschwander, Fabio Morais, Jorge Macchi, Claudia Andujar, Ana Martins Marques, Cildo Meireles, Eduardo Costa, and Erika Verzutti. Pages, news, and typical magazine and newspaper formats inspire a significant share of the collaborations.<\/p>\n

\u201cThe idea of establishing relationships between these artists\u2019 oeuvres and the media revisited, and of combining written and visual language to create an exhibition of sorts throughout the pages of the publication, is what motivates the invitations,\u201d explains Rodrigo Moura. An editor and art critic, Moura has been the curator of Instituto Inhotim (MG) since 2004.<\/p>\n

Caderno SESC_Videobrasil is an annual publication dedicated to in-depth reflection on contemporary art production. Past editions have tackled the resurgence of performance art (2005); the impact of the contemporary experience of mobility (2006); experimentalism in audiovisual production (2007); space occupation strategies (2008); the feminine and feminism in art and life (2009); and contemporary power and influence relationships (2010).<\/p>\n

Caderno SESC_Videobrasil 7 will be presented and launched during the last panel of the Southern Panoramas Seminars, Editorial Intentions: Who Reads and Who Writes, What For<\/i>, on Saturday, December 10, 2:00 p.m. through 6:00 p.m., at SESC Belenzinho\u2019s Concert Room 2. Further information: www.sescsp.org.br\/17Festival<\/a><\/p>\n

http:\/\/www.e-flux.com\/announcements\/new-publications\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Caderno Sesc_Videobrasil 7: A Revista Editor: Rodrigo Moura. Colaboradores: Ana Martins Marques, Arnaldo Antunes, Cildo Meireles, Claudia Andujar, Eduardo Costa, Erika Verzutti, Fabio Morais, Jorge Macchi e Rivane Neuenschwander. Edi\u00e7\u00f5es Sesc-SP e Associa\u00e7\u00e3o Cultural Videobrasil, 2011 144 p\u00e1ginas. Portugu\u00eas\/ingl\u00eas. ISSN … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[72,55],"tags":[130,220,224,303,319,335,467,583,744],"class_list":["post-3291","post","type-post","status-publish","format-standard","hentry","category-encarte","category-revista","tag-arnaldo-antunes","tag-cildo-meireles","tag-claudia-andujar","tag-eduardo-costa","tag-erika-verzutti","tag-fabio-morais","tag-jorge-macchi","tag-marila-dardot","tag-rivane-neuenschwander"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/3291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3291"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/3291\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}