{"id":3210,"date":"2015-05-26T17:51:29","date_gmt":"2015-05-26T17:51:29","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=3210"},"modified":"2015-05-26T17:51:29","modified_gmt":"2015-05-26T17:51:29","slug":"ten-ways-of-looking-at-a-bird","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=3210","title":{"rendered":"Ten Ways of Looking at a Bird"},"content":{"rendered":"<p><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/05\/ten_ways_of_looking.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3211\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/05\/ten_ways_of_looking.jpg?w=231\" alt=\"ten_ways_of_looking\" width=\"231\" height=\"300\" \/><\/a><\/p>\n<p>Dick Higgins (Richard C. Higgins), 1938-1998 [Cambrigde, Inglaterra]<br \/>\n<strong>Ten Ways of Looking at a Bird &#8211; for violin and harpsichord<\/strong><br \/>\nPrinted Editions<br \/>\nNew York, EUA. 1981.<\/p>\n<p>Encaderna\u00e7\u00e3o: Grampo<br \/>\nMusic scores with instruction for performance (ten movements)<br \/>\n[20 p], 28 x 21.5 cm.; cor; offset<\/p>\n<p><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/05\/0009-6e145df_0275e11.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4340\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/05\/0009-6e145df_0275e11.gif?w=224\" alt=\"0009-6e145df_0275e11\" width=\"224\" height=\"300\" \/><\/a> <a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/05\/0010-4c0696c_0275e12.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4343\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/05\/0010-4c0696c_0275e12.gif?w=226\" alt=\"0010-4c0696c_0275e12\" width=\"226\" height=\"300\" \/><\/a> <a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/05\/0005-750e503_0275e7.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4347\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/05\/0005-750e503_0275e7.gif?w=223\" alt=\"0005-750e503_0275e7\" width=\"223\" height=\"300\" \/><\/a> <a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/05\/0006-92ab1a1_0275e8.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4349\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2015\/05\/0006-92ab1a1_0275e8.gif?w=222\" alt=\"0006-92ab1a1_0275e8\" width=\"222\" height=\"300\" \/><\/a><\/p>\n<div class=\"images\">\n<div class=\"product-body\">\n<p>Esta composi\u00e7\u00e3o para violino e cravo usa fotografias de um nu masculino como materiais gr\u00e1ficos subjacentes, todos interpretados dentro dos limites de uma s\u00e9rie de conjuntos de at\u00e9 seis arremessos (uma gama) para cada um de seus dez movimentos<\/p>\n<p>This composition for violin and harpsichord uses photographs of a male nude as graphic materials underlying staves, all interpreted within the limits of a series of sets of up-to-six pitches (a gamut) for each of its ten movements.<\/p>\n<\/div>\n<\/div>\n<p><span style=\"border-radius:2px;text-indent:20px;width:auto;padding:0 4px 0 0;text-align:center;font:bold 11px\/20px 'Helvetica Neue', Helvetica, sans-serif;color:#ffffff;background:#bd081c no-repeat scroll 3px 50% \/ 14px 14px;position:absolute;opacity:1;z-index:8675309;display:none;cursor:pointer;\">Salvar<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dick Higgins (Richard C. Higgins), 1938-1998 [Cambrigde, Inglaterra] Ten Ways of Looking at a Bird &#8211; for violin and harpsichord Printed Editions New York, EUA. 1981. Encaderna\u00e7\u00e3o: Grampo Music scores with instruction for performance (ten movements) [20 p], 28 x &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=3210\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[76,47],"tags":[85,273,358],"class_list":["post-3210","post","type-post","status-publish","format-standard","hentry","category-partitura","category-performance","tag-ainda-o-livro-como-performance","tag-dick-higgins","tag-fluxus"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/3210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3210"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/3210\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}