{"id":2998,"date":"2015-09-09T17:00:14","date_gmt":"2015-09-09T17:00:14","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=2998"},"modified":"2015-09-09T17:00:14","modified_gmt":"2015-09-09T17:00:14","slug":"robin-redbreasts-territory","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=2998","title":{"rendered":"Robin Redbreast’s Territory"},"content":{"rendered":"

\"dibbets_12942%5B1%5D\"<\/a><\/p>\n

Jan Dibbets
\nRobin Redbreast’s Territory
\n<\/em>Z\u00e9d\u00e9l\u00e9, 2013
\n1\u00aa edi\u00e7\u00e3o: Seth Siegelaub, New York e Walther K\u00f6nig, K\u00f6ln, 1970
\n12,1 x 18,3 cm
\n32 p.
\nBrochura
\nISBN 978-2-915859-45-4<\/p>\n

Texto in holand\u00eas, ingl\u00eas, franc\u00eas e alem\u00e3o<\/p>\n

\"dibbets_getimage\"<\/a><\/p>\n

O livro Roodborst Territorium\/ScuIptur <\/em>(1969) de Jan Dibbets, \u00e9 um documento fotogr\u00e1fico e projetual sobre um trabalho que n\u00e3o \u00e9 poss\u00edvel ser visto na sua totalidade e que n\u00e3o pode ser recomposto sen\u00e3o atrav\u00e9s de documentos. A ideia de Dibbets, que consiste em fazer depender sua “escultura” de um p\u00e1ssaro em voo, n\u00e3o \u00e9 poss\u00edvel sen\u00e3o atrav\u00e9s de imagens que possibilitam sua exist\u00eancia sens\u00edvel e acredit\u00e1vel, exist\u00eancia que consiste na varia\u00e7\u00e3o de forma de uma regi\u00e3o a partir da ideia da captura e delimita\u00e7\u00e3o das fronteiras espaciais, fronteiras estas delimitadas e indicadas por 5 estacas de madeira onde descansa o p\u00e1ssaro entre os voos. A delimita\u00e7\u00e3o destas fronteiras \u00e9 relativa porque a no\u00e7\u00e3o de territ\u00f3rio se origina na biologia e na ecologia do sistema ao qual o p\u00e1ssaro pertence. O p\u00e1ssaro, nos seus deslocamentos, voa entre as estacas dos 5 pontos diferentes num parque de Amsterd\u00e3, configurando seu territ\u00f3rio biol\u00f3gico. Se o livro apresenta a elabora\u00e7\u00e3o e a execu\u00e7\u00e3o, dando detalhes sobre o procedimento, o tempo registrado, o trabalho material mesmo n\u00e3o deixa tra\u00e7os a n\u00e3o ser no livro.<\/p>\n

Julio Plaza, O livro como forma de arte II, <\/em>1986<\/p><\/blockquote>\n

Robin Redbreast’s Territory\u00a0 is a book documenting a 1969 installation in an Amsterdam park by Jan Dibbets, who observed and highlighted the movements of a robin through a series of photographs. The book, published in 1970, is Dibbets\u2019 only Artist\u2019s book.<\/p>\n

After learning about the habits of robins, Jan Dibbets decided to extend the territory of one robin, setting new boundaries with poles that the bird would perch on; in this way, the robin participated in the artist’s ‘Drawing in Space’.<\/p>\n

The book\u2019s left-hand pages feature photographs and topographical surveys, alongside handwritten notes by the artist, which are rendered in three other languages (English, French and German) on the right-hand pages.<\/p>\n

After giving up painting in 1967, Jan Dibbets began creating ephemeral installations in nature and taking photographs of them. The act is not an end in itself for the artist: his preoccupation is with preserving the meaning of the work, because ultimately what is important is not the reality of the installation but the idea that inspired it.<\/p>\n

Robin Redbreast’s Territory is the 6th book to be published in the Reprint collection curated by Anne Moeglin-Delcroix and Clive Phillpot.<\/p>\n

“Early in his development Jan Dibbets used the camera to provide a different, specifically monocular, perspective on the world, literally through his \u2018perspective corrections\u2019, but also by other means such as the series of photographic panoramas that led to the Dutch Mountains works.<\/p>\n

At the same time he was developing the concept of Robin Redbreast\u2019s Territory \/ Sculpture which \u2018was part of a number of ideas which involved our eco-system, a word which hardly existed at that time\u2019. The book\u2019s text describes how Dibbets obtained an insight into the habits of the common European robin through his reading of a book on the subject, even though he was \u2018not interested in biological facts,\u2019 but rather \u2018with the frontiers of the visual arts.\u2019<\/p>\n

Dibbets\u2019s idea was to harness his new understanding of the habits of the robin to his notion of drawing in space and his desire to visualise ecological systems. However, he \u2018realised that there was no way to share it with others\u2019 until \u2018the idea of the book came along\u2019 thereby establishing an appropriate means.<\/p>\n

He had been working with the gallerist and publisher Seth Siegelaub in 1969: \u2018I told Seth about it. He immediately was very enthusiastic and after I delivered him all the material, he took care of everything. I only worked with Seth.\u2019<\/p>\n

So it was that this example of the book as artwork came about, whereby understanding of the entirety of the work is only possible by means of the artist\u2019s book.” (Text inserted in the book)<\/p>\n

http:\/\/www.editions-zedele.net\/reprint\/robin-rebreasts-territory-sculpture_jan-dibbets.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Jan Dibbets Robin Redbreast’s Territory Z\u00e9d\u00e9l\u00e9, 2013 1\u00aa edi\u00e7\u00e3o: Seth Siegelaub, New York e Walther K\u00f6nig, K\u00f6ln, 1970 12,1 x 18,3 cm 32 p. Brochura ISBN 978-2-915859-45-4 Texto in holand\u00eas, ingl\u00eas, franc\u00eas e alem\u00e3o O livro Roodborst Territorium\/ScuIptur (1969) de … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[440],"class_list":["post-2998","post","type-post","status-publish","format-standard","hentry","category-arte-conceitual","tag-jan-dibbets"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2998"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2998\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}