{"id":2770,"date":"2014-09-17T13:43:27","date_gmt":"2014-09-17T13:43:27","guid":{"rendered":"http:\/\/colecaolivrodeartista.wordpress.com\/?p=2770"},"modified":"2014-09-17T13:43:27","modified_gmt":"2014-09-17T13:43:27","slug":"ulisses","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=2770","title":{"rendered":"Ulisses"},"content":{"rendered":"<p class=\"Style57\"><em>ULISSES<\/em><br \/>\nSt\u00e9phane Le Mercier<br \/>\nRennes, Incertain Sens, 2013<br \/>\n[40 p.]<br \/>\ngrampeado, offset p&amp;b<br \/>\n33 x 23 cm.<br \/>\n1000 ex.<br \/>\nISBN 978-2-914291-56-9<br \/>\nCo\u00e9dition avec le FRAC Bretagne (Rennes).<\/p>\n<p class=\"Style59\"><a href=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/couverture_ulissesg.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/couverture_ulissesp.jpg\" alt=\"\" width=\"350\" height=\"500\" border=\"0\" \/><\/a><br \/>\n<span class=\"Style55\"><br \/>\n<\/span><\/p>\n<blockquote>\n<p class=\"Style55\" align=\"justify\"><span id=\"result_box\" class=\"\" lang=\"pt\"><span class=\"hps\">Na<\/span> <span class=\"hps\">Primavera de 1998<\/span>, aproveitando u<span class=\"hps\">m pequeno escrit\u00f3rio<\/span> <span class=\"hps\">no Centro\u00a0<\/span><span class=\"hps\">James<\/span> <span class=\"hps\">Joyce<\/span> <span class=\"hps\">em<\/span> <span class=\"hps\">Dublin,<\/span> <span class=\"hps\">eu copiei<\/span> <span class=\"hps\">a maioria das<\/span> <span class=\"hps\">capas e<\/span> <span class=\"hps\">algumas<\/span> <span class=\"hps\">p\u00e1ginas internas<\/span> <span class=\"hps\">de<\/span> <span class=\"hps\">tradu\u00e7\u00f5es<\/span> do <span class=\"hps\">Ulysses<\/span> publicadas n<span class=\"hps\">o mundo todo.<\/span> <span class=\"hps\">Rapidamente<\/span> realizadas<span class=\"hps\"> para<\/span> <span class=\"hps\">fins de documenta\u00e7\u00e3o<\/span>, estas <span class=\"hps\">fotoc\u00f3pias<\/span> <span class=\"hps\">s\u00e3o repletas<\/span> <span class=\"hps atn\">de ru\u00eddos (<\/span>deslocamento do <span class=\"hps\">livro<\/span>, a amplia\u00e7\u00e3o <span class=\"hps\">aleat\u00f3ria de um detalhe<\/span>, a <span class=\"hps\">presen\u00e7a<\/span> <span class=\"hps\">furtiva<\/span> <span class=\"hps\">da m\u00e3o<\/span>, arranh\u00f5es, <span class=\"hps\">etc)<\/span> <span class=\"hps\">como tantos<\/span> <span class=\"hps\">ornamentos<\/span> <span class=\"hps\">adicionados \u00e0<\/span> <span class=\"hps\">polifonia<\/span> <span class=\"hps\">da obra.<\/span> <span class=\"hps\">Finalmente, este<\/span> <span class=\"hps\">projeto est\u00e1<\/span> <span class=\"hps\">agora<\/span> <span class=\"hps\">acompanhado por um<\/span> <span class=\"hps\">pensamento<\/span> <span class=\"hps\">inimagin\u00e1vel<\/span> <span class=\"hps\">na \u00e9poca:<\/span> <span class=\"hps\">o tratamento dado<\/span> a<span class=\"hps\">os livros<\/span> <span class=\"hps\">como parte de sua<\/span> <span class=\"hps\">digitaliza\u00e7\u00e3o<\/span> <span class=\"hps\">selvagem.<\/span><\/span><\/p>\n<\/blockquote>\n<p class=\"Style55\" align=\"justify\"><a href=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/ulisses4.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/ulisses4p.jpg\" alt=\"\" width=\"500\" height=\"375\" border=\"0\" \/><\/a><\/p>\n<p class=\"Style55\"><a href=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/ulisses2.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/ulisses2p.jpg\" alt=\"\" width=\"500\" height=\"376\" border=\"0\" \/><\/a><\/p>\n<p class=\"Style55\"><a href=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/ulisses1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/ulisses1p.jpg\" alt=\"\" width=\"500\" height=\"375\" border=\"0\" \/><\/a><\/p>\n<p class=\"Style55\"><a href=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/ulisses5.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/ulisses5p.jpg\" alt=\"\" width=\"500\" height=\"375\" border=\"0\" \/><\/a><\/p>\n<p class=\"Style55\"><a href=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/ulisses6.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/bibilo_artistes_et_livres\/le_mercier\/ulisses6p.jpg\" alt=\"\" width=\"500\" height=\"372\" border=\"0\" \/><\/a><\/p>\n<p class=\"Style55\"><a href=\"http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/fiche_lemercier_ulisses.htm\">http:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/fiche_lemercier_ulisses.htm<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ULISSES St\u00e9phane Le Mercier Rennes, Incertain Sens, 2013 [40 p.] grampeado, offset p&amp;b 33 x 23 cm. 1000 ex. ISBN 978-2-914291-56-9 Co\u00e9dition avec le FRAC Bretagne (Rennes). Na Primavera de 1998, aproveitando um pequeno escrit\u00f3rio no Centro\u00a0James Joyce em Dublin, &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=2770\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,73],"tags":[78,420,439,790],"class_list":["post-2770","post","type-post","status-publish","format-standard","hentry","category-autorreferente","category-enciclopedia","tag-a-construcao-do-livro","tag-incertain-sens","tag-james-joyce","tag-stephane-le-mercier"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2770"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2770\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}