{"id":2712,"date":"2014-09-12T02:09:09","date_gmt":"2014-09-12T02:09:09","guid":{"rendered":"http:\/\/colecaolivrodeartista.wordpress.com\/?p=2712"},"modified":"2014-09-12T02:09:09","modified_gmt":"2014-09-12T02:09:09","slug":"on-the-self-reflexive-page","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=2712","title":{"rendered":"On the Self-Reflexive Page"},"content":{"rendered":"

\"luthi00104\"<\/a><\/p>\n

Louis L\u00fcthi
\nOn the Self-Reflexive Page
\nAmsterdam, Roma Publications, 2010
\n160 p.
\n13 x 20 cm
\nISBN 978 90 77459 47 8<\/p>\n

\"luthi00106\"<\/a><\/p>\n

\"luthi00109\"<\/a><\/p>\n

\"luthi00110\"<\/a><\/p>\n

O<\/span> tema deste livro<\/span> \u00e9 a p\u00e1gina<\/span> e as p\u00e1ginas<\/span> aqui reproduzidas <\/span> s\u00e3o tomadas<\/span> de<\/span> obras de literatura<\/span> (<\/span>ou, em alguns casos,<\/span> livros de arte<\/span>, especificamente, que derivam<\/span> da literatura<\/span>). Eu escolhi<\/span> apresent\u00e1-<\/span>los<\/span> tematicamente<\/span>, formando <\/span>uma tipologia de<\/span> <\/span>p\u00e1ginas <\/span><\/span>auto-reflexivas<\/span>: p\u00e1ginas negras<\/span>, p\u00e1ginas em branco, p\u00e1ginas de desenho<\/span>, p\u00e1ginas fotogr\u00e1ficas, p\u00e1ginas de texto<\/span>,  p\u00e1ginas de <\/span><\/span>n\u00fameros<\/span><\/span> e p\u00e1ginas de pontua\u00e7\u00e3o<\/span>.<\/span> A repeti\u00e7\u00e3o<\/span> que isso implica<\/span> \u00e9 um tanto<\/span> enganosa<\/span> (para<\/span> come\u00e7ar, o<\/span> leitor observar\u00e1<\/span> as pequenas<\/span>, mas n\u00e3o insignificantes,<\/span> diferen\u00e7as<\/span> entre<\/span> as apresenta\u00e7\u00f5es<\/span> visuais e verbais<\/span>); na literatura,<\/span> esses recursos<\/span> s\u00e3o frequentemente usados como<\/span> um<\/span> contraponto ao que<\/span> precedeu<\/span> ou o que vai<\/span> seguir<\/span> na narrativa.<\/span> E o<\/span> mesmo recurso pode ser utilizado para <\/span>diferentes<\/span> fins.<\/span> Por esse motivo, <\/span>e porque o livro tenta <\/span> tra\u00e7ar um panorama do tema <\/span>atrav\u00e9s de numerosas<\/span> obras<\/span> isoladas e independentes, o leitor <\/span>encontrar\u00e1 as refer\u00eancias d<\/span>as<\/span> publica\u00e7\u00f5es originais<\/span> listados<\/span> na bibliografia<\/span><\/span>.
\n(Pri\u00e8re d’ins\u00e9rer de Louis L\u00fcthi)<\/p><\/blockquote>\n

\"luthi00112\"<\/a><\/p>\n

 The subject of this book is the page, and the pages reproduced in it are taken from works of literature (or, in some cases, art books that derive specifically from literature). I have chosen to present them thematically, resulting in a typology of self-reflexive pages: Black Pages, Blank Pages, Drawing Pages, Photography Pages, Text Pages, Number Pages, and Punctuation Pages. The repetition this entails is somewhat deceptive (for a start, the reader will observe the slight but not insignificant differences between the visual and verbal presentations); in literature, such devises are often used as a counterpoint to what has preceded or what will follow in the narrative. And the same means may evidently be used to different ends. For these reasons, and because the book attempts only to trace an isolated theme through numerous and often otherwise unrelated works, the reader is in all instances referred to the original publications, which are listed in the bibliography. (Pri\u00e8re d’ins\u00e9rer by Louis L\u00fcthi)<\/p><\/blockquote>\n

\"luthi00107\"<\/a><\/p>\n

http:\/\/www.romapublications.org\/Roma1-150.html<\/a><\/p>\n

Salvar<\/span><\/p>\n

Salvar<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Louis L\u00fcthi On the Self-Reflexive Page Amsterdam, Roma Publications, 2010 160 p. 13 x 20 cm ISBN 978 90 77459 47 8 O tema deste livro \u00e9 a p\u00e1gina e as p\u00e1ginas aqui reproduzidas  s\u00e3o tomadas de obras de literatura … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,11,73],"tags":[97],"class_list":["post-2712","post","type-post","status-publish","format-standard","hentry","category-autorreferente","category-biblioteca","category-enciclopedia","tag-alguns-volumes-da-biblioteca-de-babel"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2712"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2712\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}