{"id":2711,"date":"2015-03-30T19:38:58","date_gmt":"2015-03-30T19:38:58","guid":{"rendered":"http:\/\/colecaolivrodeartista.wordpress.com\/?p=2711"},"modified":"2015-03-30T19:38:58","modified_gmt":"2015-03-30T19:38:58","slug":"sweethearts","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=2711","title":{"rendered":"Sweethearts"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\" size-medium wp-image-2708 aligncenter\" src=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2014\/09\/diana-michener.jpg?w=300\" alt=\"diana-michener\" width=\"300\" height=\"193\" \/><\/p>\n<p>Diana Michener\u00a0\u00a0 (1940,\u00a0\u00a0 Boston, EUA)<br \/>\nSweethearts<br \/>\nG\u00f6ttingen, Hatje Cantz, 2009<br \/>\nISBN 13 &#8211; 9783865217134<\/p>\n<blockquote><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2709 size-full\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2014\/09\/michener_sweethearts_212.jpg\" alt=\"Michener_Sweethearts_212\" width=\"530\" height=\"172\" \/><\/p><\/blockquote>\n<p>Adopting the form of a flip book, Sweethearts presents a sequence of film stills which segue through a series of theatrical moments set on a domestic stage. The actors appear in banal moments of daily life and animated moments of conflict to offer an intimate exploration of the vagaries of love and life.<\/p>\n<blockquote><p>\u201cThis work in another form was shown at The New York Film Festival in 1982. It still remains, for me, a study in indecision. The Sweethearts are emblematic of that thing that can exist between couples, when one can not assume the persona of the other.\u201d<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Diana Michener\u00a0\u00a0 (1940,\u00a0\u00a0 Boston, EUA) Sweethearts G\u00f6ttingen, Hatje Cantz, 2009 ISBN 13 &#8211; 9783865217134 Adopting the form of a flip book, Sweethearts presents a sequence of film stills which segue through a series of theatrical moments set on a domestic &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=2711\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[27,47],"tags":[85,270],"class_list":["post-2711","post","type-post","status-publish","format-standard","hentry","category-flipbook","category-performance","tag-ainda-o-livro-como-performance","tag-diana-michener"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2711"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2711\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}