{"id":2157,"date":"2014-06-12T21:00:36","date_gmt":"2014-06-12T21:00:36","guid":{"rendered":"http:\/\/colecaolivrodeartista.wordpress.com\/?p=2157"},"modified":"2014-06-12T21:00:36","modified_gmt":"2014-06-12T21:00:36","slug":"details","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=2157","title":{"rendered":"Details"},"content":{"rendered":"<p><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2014\/06\/dailey.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5039\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2014\/06\/dailey.jpg?w=186\" alt=\"dailey\" width=\"186\" height=\"300\" \/><\/a><\/p>\n<p>Richard Dailey<br \/>\n<em> Details: Private Parts in Public Spaces, a Comparative Study of Antique Sculpture<br \/>\n<\/em>Paris, One Star Press<em>, <\/em>2002<br \/>\n14 x 22,5 cm<br \/>\n150 p.<br \/>\nCover\u00a0: Paperback, color, glossy finish<br \/>\nBinding\u00a0: glue bound<br \/>\nInterior\u00a0: black-and-white<br \/>\n250 ex. numerados<\/p>\n<p><a href=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2014\/06\/dailey_int-151.jpg\"><img decoding=\"async\" id=\"i-2164\" class=\"size-full wp-image\" src=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2014\/06\/dailey_int-151.jpg?w=650\" alt=\"Imagem\" \/><\/a><\/p>\n<p>Richard Dailey ilustrou em close-ups fotogr\u00e1ficos um cap\u00edtulo do repert\u00f3rio de escultura antiga catalogando os deuses e deusas, her\u00f3is e hero\u00ednas da Antiguidade, envoltos em sua aura de beleza e verdade. As imagens s\u00e3o tradicionalmente apresentadas em forma de \u00e1lbum: \u00e1lbuns de fotos, estudos da natureza, manuais ilustrados, cat\u00e1logos de museus. Curiosamente, o efeito desses close-ups contradiz a percep\u00e7\u00e3o tradicional de escultura cl\u00e1ssica. Sua individualidade, refor\u00e7ada pela idade, aqui emerge das fei\u00e7\u00f5es de express\u00e3o cl\u00e1ssica.<\/p>\n<p><a href=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2014\/06\/dailey_int-271.jpg\"><img decoding=\"async\" id=\"i-2165\" class=\"size-full wp-image\" src=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2014\/06\/dailey_int-271.jpg?w=650\" alt=\"Imagem\" \/><\/a><\/p>\n<p style=\"text-align:justify;\">Richard <span class=\"spip_surligne\">Dailey<\/span> has illustrated in photographic close-ups a chapter from the repertory of antique sculpture by cataloguing the gods and goddesses, the heros and heroines of antiquity, wreathed in their aura of beauty and truth. The images are presented traditionally in familiar album form\u00a0: photo albums, nature studies, practical illustrated manuals, museum catalogues. Curiously, the effect of these close-ups contradicts the traditional perception of classical sculpture\u00a0; their individuality, enhanced by the ages, emerges here from the lineaments of classical expression.<\/p>\n<p>Layout and photos\u00a0: <a href=\"http:\/\/www.onestarpress.com\/Details-Private-parts-in-public?var_recherche=dailey\">Richard <span class=\"spip_surligne\">Dailey<\/span><\/a><\/p>\n<p>Dispon\u00edvel em PDF <a href=\"www.onestarpress.com\/IMG\/pdf\/Dailey_int.pdf\">aqui<\/a><\/p>\n<p><span style=\"border-radius:2px;text-indent:20px;width:auto;padding:0 4px 0 0;text-align:center;font:bold 11px\/20px 'Helvetica Neue', Helvetica, sans-serif;color:#ffffff;background:#bd081c no-repeat scroll 3px 50% \/ 14px 14px;position:absolute;opacity:1;z-index:8675309;display:none;cursor:pointer;top:642px;left:20px;\">Salvar<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Richard Dailey Details: Private Parts in Public Spaces, a Comparative Study of Antique Sculpture Paris, One Star Press, 2002 14 x 22,5 cm 150 p. Cover\u00a0: Paperback, color, glossy finish Binding\u00a0: glue bound Interior\u00a0: black-and-white 250 ex. numerados Richard Dailey &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=2157\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[57],"tags":[232,324,643,649,775],"class_list":["post-2157","post","type-post","status-publish","format-standard","hentry","category-sexualidade","tag-colecao","tag-escultura","tag-nu","tag-o-mundo-no-papel","tag-sexo"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2157"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2157\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}