{"id":20602,"date":"2022-04-18T07:00:00","date_gmt":"2022-04-18T10:00:00","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=20602"},"modified":"2022-04-18T07:00:00","modified_gmt":"2022-04-18T10:00:00","slug":"bureau-of-the-centre-for-the-study-of-surrealism-and-its-legacy","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=20602","title":{"rendered":"Bureau of the Centre for the Study of Surrealism and its Legacy"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2022\/04\/bureauofcentrecover-e1584984195614.jpg\"><img decoding=\"async\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2022\/04\/bureauofcentrecover-e1584984195614.jpg?w=412\" alt=\"\" class=\"wp-image-20603\" \/><\/a><\/figure>\n\n\n\n<p>Mark Dion<br>Bureau of the Centre for the Study of Surrealism and its Legacy<br>London, Bookworks, 2018<br>12.7 x 1.27 x 23.62 cm<br>128 p. <br>1000 ex.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2022\/04\/bureauspread.jpg\"><img decoding=\"async\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2022\/04\/bureauspread.jpg?w=843\" alt=\"\" class=\"wp-image-20605\" \/><\/a><\/figure>\n\n\n\n<p id=\"tw-target-text\">Lembrando o Bureau de Recherches Surr\u00e9alistes de curta dura\u00e7\u00e3o de 1924 a 1925 \u2013 parte centro de informa\u00e7\u00f5es e escrit\u00f3rio de \u201crela\u00e7\u00f5es p\u00fablicas\u201d, e parte arquivo surrealista \u2013 Mark Dion vasculhou as pr\u00f3prias cole\u00e7\u00f5es do Manchester Museum e encontrou a mat\u00e9ria-prima para este livro e uma nova instala\u00e7\u00e3o no Museu.\n\nAs tentativas dos museus de classificar e apresentar o mundo em miniatura inevitavelmente significam que muitas de suas cole\u00e7\u00f5es s\u00e3o esquecidas e marginalizadas. Reconhecido por seu trabalho explorando taxonomia, arqueologia e ecologia, Mark Dion, em seu Bureau documenta seus encontros oportunistas com gavetas negligenciadas e recessos negligenciados do Museu de Manchester que abrigam r\u00f3tulos redundantes, montagens \u00f3rf\u00e3s, modelos de ensino extintos, aberra\u00e7\u00f5es bot\u00e2nicas, falsifica\u00e7\u00f5es eg\u00edpcias e as min\u00facias que ca\u00edram nas rachaduras da pr\u00e1tica do museu e ficaram abandonadas. O Bureau of the Centre for the Study of Surrealism and its Legacy de Dion \u00e9 um reposit\u00f3rio para os detritos da vida do museu e um processo de trabalho, classificando o museu como inclassific\u00e1vel enquanto explora o funcionamento burocr\u00e1tico da institui\u00e7\u00e3o.\n\nEnsaios de Anna Dezeuze, Julia Kelly e David Lomas\n<\/p>\n\n\n\n<p><blockquote class=\"wp-embedded-content\" data-secret=\"2mtvbGkwjO\"><a href=\"https:\/\/bookworks.org.uk\/publishing\/shop\/the-bureau-of-the-centre-for-the-study-of-surrealism-and-its-legacy\/\">The Bureau of the Centre for the Study of Surrealism and its Legacy<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;The Bureau of the Centre for the Study of Surrealism and its Legacy&#8221; &#8212; Book Works\" src=\"https:\/\/bookworks.org.uk\/publishing\/shop\/the-bureau-of-the-centre-for-the-study-of-surrealism-and-its-legacy\/embed\/#?secret=2qFYh9TB1S#?secret=2mtvbGkwjO\" data-secret=\"2mtvbGkwjO\" width=\"584\" height=\"329\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mark DionBureau of the Centre for the Study of Surrealism and its LegacyLondon, Bookworks, 201812.7 x 1.27 x 23.62 cm128 p. 1000 ex. Lembrando o Bureau de Recherches Surr\u00e9alistes de curta dura\u00e7\u00e3o de 1924 a 1925 \u2013 parte centro de &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=20602\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[174,588,702],"class_list":["post-20602","post","type-post","status-publish","format-standard","hentry","category-artista-e-instituicao","tag-bookworks","tag-mark-dion","tag-prima-facie"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/20602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20602"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/20602\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}