{"id":2005,"date":"2014-05-06T12:27:52","date_gmt":"2014-05-06T12:27:52","guid":{"rendered":"http:\/\/colecaolivrodeartista.wordpress.com\/?p=2005"},"modified":"2014-05-06T12:27:52","modified_gmt":"2014-05-06T12:27:52","slug":"4492040","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=2005","title":{"rendered":"4,492,040"},"content":{"rendered":"

\"\"<\/p>\n

Lucy Lippard<\/strong> (Estados Unidos, 1937)
\n4,492,040
\nVancouver: New Documents, 2012.
\n358 p.; il. pb.;
\n10,2 x 15,3 cm
\nOffset
\n1000 ex.
\nISBN: 978-1927354001<\/p>\n

Entre 1969 e 1974, a influente curadora Lucy Lippard (nascida em 1937) curou quatro exposi\u00e7\u00f5es de arte conceituais decisivas e, ao faz\u00ea-lo, reinventou o cat\u00e1logo de exposi\u00e7\u00e3o. 4,492,040 \u00e9 uma reimpress\u00e3o fac-s\u00edmile dos cat\u00e1logos extremamente escassos e extremamente importantes produzidos para essas exposi\u00e7\u00f5es: 557.087 (Museu de Arte de Seattle), 955.000 (Galeria de Arte de Vancouver), 7.500 (Instituto de Arte da Calif\u00f3rnia) e 2.972.453 (Centro de Arte y Comunicaci\u00f3n). Intitulado pelas popula\u00e7\u00f5es das cidades em que as mostras foram realizadas, cada cat\u00e1logo era um envelope de cart\u00f5es soltos contendo declara\u00e7\u00f5es, documenta\u00e7\u00e3o e trabalhos conceituais de cada artista, para serem reorganizados, arquivados ou descartados \u00e0 vontade. Se Lippard descreveu a arte conceitual como a desmaterializa\u00e7\u00e3o do objeto de arte, esses cat\u00e1logos efetivamente anunciaram a desmaterializa\u00e7\u00e3o da exposi\u00e7\u00e3o de arte. (Uma resenha afirmava que Lippard era uma artista, e que seu meio de trabalho eram outros artistas.) 4.492.040 inclui figuras iconicas como Vito Acconci, Carl Andre, Siah Armajani, Terry Atkinson, John Baldessari, Michael Baldwin, Robert Barry, Rick Barthelme, Daniel Buren, Hanne Darboven, Walter de Maria, Jan Dibbets, Christos Dikeakos, Eleanor Antin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Sobre Kawara, Edward Kienholz Sol LeWitt, Roelof Louw, Duane Lundon, Bruce McLean , Robert Morris, NE Thing Co., Bruce Nauman, Adrian Piper, Allen Ruppersberg, Ed Ruscha, Richard Serra, Robert Smithson, Jeff Wall e Lawrence Weiner.<\/p>\n

\"lippard\"<\/a><\/p>\n

Between 1969 and 1974, the influential curator Lucy Lippard (born 1937) curated four decisive Conceptual art exhibitions, and in doing so reinvented the exhibition catalogue. 4,492,040 is a facsimile reprint of the extremely scarce and hugely important catalogues produced for those exhibitions: 557,087 (the Seattle Art Museum), 955,000 (the Vancouver Art Gallery), 7,500 (the California Institute of Art) and 2,972,453 (the Centro de Arte y Comunicaci\u00f3n). Titled after the populations of the cities in which the shows were held, each catalogue was an envelope of loose note cards containing statements, documentation and conceptual works by each artist, to be rearranged, filed or discarded at will. If Lippard described Conceptual art as the dematerialization of the art object, these catalogues effectively announced the dematerialization of the art exhibition. (One reviewer claimed Lippard had been the artist, and that her medium had been other artists.) 4,492,040 includes such iconic figures as Vito Acconci, Carl Andre, Siah Armajani, Terry Atkinson, John Baldessari, Michael Baldwin, Robert Barry, Rick Barthelme, Daniel Buren, Rosemarie Castoro, Hanne Darboven, Walter de Maria, Jan Dibbets, Christos Dikeakos, Eleanor Antin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, On Kawara, Edward Kienholz Sol LeWitt, Roelof Louw, Duane Lundon, Bruce McLean, Robert Morris, N.E. Thing Co., Bruce Nauman, Adrian Piper, Allen Ruppersberg, Ed Ruscha, Richard Serra, Robert Smithson, Jeff Wall and Lawrence Weiner.<\/p>\n

Salvar<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Lucy Lippard (Estados Unidos, 1937) 4,492,040 Vancouver: New Documents, 2012. 358 p.; il. pb.; 10,2 x 15,3 cm Offset 1000 ex. ISBN: 978-1927354001 Entre 1969 e 1974, a influente curadora Lucy Lippard (nascida em 1937) curou quatro exposi\u00e7\u00f5es de arte … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,15,52],"tags":[331,551,699],"class_list":["post-2005","post","type-post","status-publish","format-standard","hentry","category-arte-conceitual","category-catalogo","category-publicacao","tag-exposicao-impressa","tag-lucy-lippard","tag-postais"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2005"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/2005\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}