{"id":18161,"date":"2019-12-07T15:30:29","date_gmt":"2019-12-07T18:30:29","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=18161"},"modified":"2019-12-07T15:30:29","modified_gmt":"2019-12-07T18:30:29","slug":"transition-dissolve","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=18161","title":{"rendered":"Transition: Dissolve"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-18164\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2019\/11\/031-transition-dissolve-1.png\" alt=\"031-Transition-Dissolve (1)\" width=\"400\" height=\"600\"><\/p>\n<p>Fl\u00e1vio Trevisan<br \/>\n<strong>Transition: Dissolve<\/strong><br \/>\nToronto, Hex Editions, 2017<br \/>\n12,5 x 20 cm.<br \/>\n[44] p.<br \/>\nImpress\u00e3o a laser<br \/>\nISBN: 9781927809211<\/p>\n<p>Italy-born, Toronto-based visual artist Flavio Trevisan possesses a well-demonstrated knack for raising unorthodoxy from repetition and regularity, and the perfect-bound TRANSITION: Dissolve is yet another testament to his expertise. After an intermission of 4 years, Trevisan returns to his TRANSITION series with this digitally-printed, black-and-white installment. And it is worth the wait: Dissolve is arguably the most sophisticated, mindful chapter in the series. Similar to TRANSITION: Zoom In, the book opens into a double-spread title page. One soon realizes that the volume lends itself to a flip book approach, and as one proceeds, the text fades into ethereal imprints and ultimately vanishes while an underlying photo of a pair of hands holding open a blank book saturates into view.<\/p>\n<p>https:\/\/www.printedmatter.org\/catalog\/50695\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fl\u00e1vio Trevisan Transition: Dissolve Toronto, Hex Editions, 2017 12,5 x 20 cm. [44] p. Impress\u00e3o a laser ISBN: 9781927809211 Italy-born, Toronto-based visual artist Flavio Trevisan possesses a well-demonstrated knack for raising unorthodoxy from repetition and regularity, and the perfect-bound TRANSITION: &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=18161\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[60],"tags":[353],"class_list":["post-18161","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-flavio-trevisan"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/18161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18161"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/18161\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}