{"id":1719,"date":"2013-08-17T12:37:55","date_gmt":"2013-08-17T12:37:55","guid":{"rendered":"http:\/\/colecaolivrodeartista.wordpress.com\/?p=1719"},"modified":"2013-08-17T12:37:55","modified_gmt":"2013-08-17T12:37:55","slug":"kim-beck","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=1719","title":{"rendered":"A Field Guide to Weeds"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11185\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2013\/08\/a-field-guide-to-weeds.jpg\" alt=\"A field guide to weeds\" width=\"246\" height=\"379\"><\/p>\n<p>Kim Beck<br \/>\nA Field Guide to Weeds<br \/>\nNew York: Printed Matter, 2008<br \/>\nCapa de tecido<br \/>\nOffset, 5 cores<br \/>\n17.5 x 11.8cm<br \/>\n96 p.<br \/>\n1st edition, 2007, 750 ex.<br \/>\n2nd edition, 2008, 1500 ex.<\/p>\n<p><a href=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2013\/08\/weeds2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1720\" src=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2013\/08\/weeds2.jpg\" alt=\"weeds2\" width=\"288\" height=\"216\"><\/a> <a href=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2013\/08\/weeds3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1721\" src=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2013\/08\/weeds3.jpg\" alt=\"weeds3\" width=\"288\" height=\"216\"><\/a><\/p>\n<p>&#8220;Um guia de campo para as ervas daninhas&#8221; se disfar\u00e7a como um guia de bolso do s\u00e9culo 19, mas \u00e9 um guia que o mato tomou conta. Este projeto usa a forma f\u00edsica do livro como uma met\u00e1fora para uma rachadura no passeio da cidade: o dente de le\u00e3o, caruru e erva &#8211; as plantas que as pessoas ignoram, passam por cima, arrancam ou evitam escrupulosamente &#8211; brotam da sarjeta, invadem as p\u00e1ginas e tomam o livro. M\u00faltiplas formas se sobrep\u00f5em e se repetem, atraindo o olhar do leitor para o que \u00e9 esquecido. Este livro foi publicado pela Printed Matter como parte do Programa de Publica\u00e7\u00f5es de&nbsp; Artistas Emergentes. Ele est\u00e1 relacionado com as instala\u00e7\u00f5es realizadas em: Moroso, Bater Mellon e <a href=\"http:\/\/www.idealcities.com\/herbicidal-tendencies.html\">Artists Image Resource<\/a>.<\/p>\n<p><a href=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2013\/08\/weeds4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1722\" src=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2013\/08\/weeds4.jpg\" alt=\"weeds4\" width=\"288\" height=\"209\"><\/a> <a href=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2013\/08\/weeds5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1723\" src=\"http:\/\/colecaolivrodeartista.files.wordpress.com\/2013\/08\/weeds5.jpg\" alt=\"weeds5\" width=\"288\" height=\"216\"><\/a><\/p>\n<p>A FIELD GUIDE TO WEEDS masquerades as a 19th century pocket guide, but a guide in which the weeds themselves have taken over. This project uses the physical form of the book as a metaphor for a crack in the city sidewalk: the dandelion, pigweed, and poison ivy\u2014the very plants we step over, ignore, dig up, or scrupulously avoid\u2014creep out of the gutter, up pages, and overrun the book. Multiple silhouettes overlap and repeat, drawing the reader\u2019s attention to the overlooked. This book was published by Printed Matter as part of the Emerging Artist Publishing Program. It is related to installations at: <a href=\"http:\/\/www.idealcities.com\/moroso.html\">Moroso,<\/a> <a href=\"http:\/\/www.idealcities.com\/lot.html\">Smack Mellon <\/a> and <a href=\"http:\/\/www.idealcities.com\/herbicidal-tendencies.html\">Artists Image Resource.<\/a> Cloth cover, sewn-bound, ribbon, 5-color, 17.5 x 11.8cm, 96 p. 1st edition 750; 2nd edition 1500.<\/p>\n<p>Mais info: <a href=\"http:\/\/http:\/\/www.idealcities.com\/field-guide.html\">http:\/\/www.idealcities.com\/field-guide.html<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"border-radius:2px;text-indent:20px;width:auto;padding:0 4px 0 0;text-align:center;font:bold 11px\/20px 'Helvetica Neue', Helvetica, sans-serif;color:#ffffff;background:#bd081c no-repeat scroll 3px 50% \/ 14px 14px;position:absolute;opacity:0.85;z-index:8675309;display:none;cursor:pointer;top:43px;left:20px;\">Salvar<\/span><\/p>\n<p><span style=\"border-radius:2px;text-indent:20px;width:auto;padding:0 4px 0 0;text-align:center;font:bold 11px\/20px 'Helvetica Neue', Helvetica, sans-serif;color:#ffffff;background:#bd081c no-repeat scroll 3px 50% \/ 14px 14px;position:absolute;opacity:1;z-index:8675309;display:none;cursor:pointer;top:43px;left:24px;\">Salvar<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kim Beck A Field Guide to Weeds New York: Printed Matter, 2008 Capa de tecido Offset, 5 cores 17.5 x 11.8cm 96 p. 1st edition, 2007, 750 ex. 2nd edition, 2008, 1500 ex. &#8220;Um guia de campo para as ervas &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=1719\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[75],"tags":[635,649,660,702],"class_list":["post-1719","post","type-post","status-publish","format-standard","hentry","category-herbario","tag-natureza","tag-o-mundo-no-papel","tag-paisagem","tag-prima-facie"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/1719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1719"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/1719\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}