{"id":13876,"date":"2018-10-24T13:27:42","date_gmt":"2018-10-24T16:27:42","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=13876"},"modified":"2018-10-24T13:27:42","modified_gmt":"2018-10-24T16:27:42","slug":"plus-cest-facile-plus-cest-beau-prolegomenes-a-la-plus-belle-exposition-du-monde","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=13876","title":{"rendered":"Plus c’est facile, plus c’est beau : prol\u00e9gom\u00e8nes \u00e0 la plus belle exposition du monde"},"content":{"rendered":"

\"pprolegomenes1\"<\/em><\/p>\n

\u00c9ric Watier
\nPlus c’est facile, plus c’est beau : prol\u00e9gom\u00e8nes \u00e0 la plus belle exposition du monde
\n<\/em><\/strong>Rennes, \u00c9ditions Incertain Sens,<\/span> 2015.
\n90 p.
\n19 x 13,4 cm.
\nisbn 978-2-914291-71-2<\/span>
\n1000 ex. <\/em><\/p>\n

”Quanto mais f\u00e1cil \u00e9, mais bonito \u00e9: Proleg\u00f4menos para a exposi\u00e7\u00e3o mais bonita do mundo vem na forma de 89 propostas curtas, \u00e0 taxa de uma por p\u00e1gina.<\/span> Cada um \u00e9 constru\u00eddo sobre o mesmo modelo: a descri\u00e7\u00e3o t\u00e9cnica de uma famosa obra de arte contempor\u00e2nea, seguida pela afirma\u00e7\u00e3o da facilidade de reprodu\u00e7\u00e3o do processo.<\/span> Por exemplo: “Lan\u00e7ar uma x\u00edcara de \u00e1gua do mar no ch\u00e3o \u00e9 f\u00e1cil.<\/span> Lawrence Weiner fez isso e todos podem fazer isso de novo.<\/span> Ao criar um panorama neutro e objetivo dos famosos dispositivos de produ\u00e7\u00e3o art\u00edstica, \u00c9ric Watier profana a no\u00e7\u00e3o de uma obra de arte e atualiza as no\u00e7\u00f5es de retomada e cita\u00e7\u00e3o, que s\u00e3o particularmente comuns na arte contempor\u00e2nea.<\/span><\/p>\n

“Plus c’est facile, plus c’est beau” \u00e9 uma frase retirada de uma entrevista com Gil J Wolman conduzida por Michel Giroud e publicada no cat\u00e1logo da exposi\u00e7\u00e3o Hors hors limites (Centre Pompidou, 1994-1995).”<\/span><\/p>\n

\"pprolegomenes71\"\"pprolegomenes4\"\"pprolegomenes5\"\"pprolegomenes70\"<\/em><\/p>\n

Plus c\u2019est facile, plus c\u2019est beau : prol\u00e9gom\u00e8nes \u00e0 la plus belle exposition du monde<\/em> se pr\u00e9sente sous la forme de 89 courtes propositions \u00e0 raison d\u2019une par page. Chacune est construite sur le m\u00eame mod\u00e8le : la description technique d\u2019une \u0153uvre c\u00e9l\u00e8bre d\u2019art contemporain, suivie de l\u2019affirmation de la facilit\u00e9 de reproduction du proc\u00e9d\u00e9. Par exemple : \u00ab Renverser une tasse d\u2019eau de mer sur le plancher, c’est facile. Lawrence Weiner l’a fait et tout le monde peut le refaire. \u00bb En dressant un panorama neutre et objectif de dispositifs c\u00e9l\u00e8bres de la production artistique, \u00c9ric Watier d\u00e9sacralise la notion d\u2019\u0153uvre d\u2019art et met \u00e0 jour les notions de reprise et de citation, particuli\u00e8rement  courantes dans l\u2019art contemporain.<\/p>\n

“Plus c’est facile, plus c’est beau” est une phrase extraite d’une interview de Gil J Wolman men\u00e9e par Michel Giroud et publi\u00e9e dans le catalogue de l’exposition Hors limites<\/em> (Centre Pompidou, 1994-1995).<\/p>\n

https:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/fiche_prolegomenes.htm<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c9ric Watier Plus c’est facile, plus c’est beau : prol\u00e9gom\u00e8nes \u00e0 la plus belle exposition du monde Rennes, \u00c9ditions Incertain Sens, 2015. 90 p. 19 x 13,4 cm. isbn 978-2-914291-71-2 1000 ex.  ”Quanto mais f\u00e1cil \u00e9, mais bonito \u00e9: Proleg\u00f4menos para a … Continue lendo →<\/span><\/a><\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,58],"tags":[152,420],"class_list":["post-13876","post","type-post","status-publish","format-standard","hentry","category-arte-e-sociedade","category-sobre-arte-contemporanea","tag-eric-watier","tag-incertain-sens"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/13876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13876"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/13876\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}