{"id":13855,"date":"2018-10-22T12:55:18","date_gmt":"2018-10-22T15:55:18","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=13855"},"modified":"2018-10-22T12:55:18","modified_gmt":"2018-10-22T15:55:18","slug":"faut-il-abolir-ouest-lumiere","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=13855","title":{"rendered":"Faut-il abolir Ouest-Lumi\u00e8re?"},"content":{"rendered":"<p>Yann Toma \/ Stephen Wright<br \/>\n<strong>Faut-il abolir Ouest-Lumi\u00e8re?<br \/>\n<\/strong><span class=\"Style551\">Rennes, \u00c9ditions Incertain Sens<\/span>; Brest, La Passerelle, 2005.<br \/>\n64 p.<br \/>\n21 x 13 cm<br \/>\nISBN&nbsp;<span class=\"Style72\">2-914291-22-X et 2913988-09-1<\/span><br \/>\n1000 ex.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13856\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2018\/10\/couverture_faut_il.png\" alt=\"couverture_Faut_il\" width=\"382\" height=\"596\"><\/p>\n<p align=\"justify\">Avec son r\u00e9seau tentaculaire d&#8217;abonn\u00e9s, son ubuesque pr\u00e9sident \u00e0 vie, manipulant avec de grosses ficelles des l\u00e9gions d&#8217;agents subalternes et de d\u00e9tracteurs coopt\u00e9s, Yann Toma a su faire de&nbsp;<em>Ouest-Lumi\u00e8re<\/em>&nbsp;une fiction heuristique. Heuristique, car, \u00e0 cette fiction d&#8217;entreprise r\u00e9ticulaire, ind\u00e9finissable, n\u00e9olib\u00e9rale, correspond une r\u00e9alit\u00e9 \u00e9conomique : la colonisation du monde v\u00e9cu par le capital, rendue possible par le biais de la g\u00e9n\u00e9ralisation du travail immat\u00e9riel, dont l&#8217;artiste incarne l&#8217;id\u00e9al type. Entreprise immat\u00e9rielle,&nbsp;<em>Ouest- Lumi\u00e8re<\/em>&nbsp;est embl\u00e9matique de ces m\u00e9tamorphoses de la composition anthropologique du travail dans nos soci\u00e9t\u00e9s o\u00f9, \u00e0 l&#8217;\u00e9conomie fordiste fond\u00e9e sur la production d&#8217;objets, se substitue une rationalit\u00e9 post-fordiste dont le fondement devient la production de sujets consommateurs d&#8217;objets. Les \u00ab dispositifs de subjectivation \u00bb dont parle Deleuze, que le monde de l&#8217;art contemporain, dans un m\u00e9lange de candeur et de cynisme propre \u00e0 lui, s&#8217;emploie, \u00e0 son insu peut- \u00eatre, rarement \u00e0 son corps d\u00e9fendant, \u00e0 mettre \u00e0 la disposition des industries de l&#8217;immat\u00e9riel, se voient, \u00e0&nbsp;<em>Ouest-Lumi\u00e8re<\/em>, mis en \u00e9vidence pour ce qu&#8217;ils sont : des dispositifs de production de nouveaux secteurs d&#8217;accumulation capitaliste. Telle est la dimension politique de l&#8217;entreprise fictionnelle de Yann Toma, c&#8217;est aussi son abyssale ambivalence. D&#8217;o\u00f9 la question :&nbsp;<em>faut-il abolir Ouest-Lumi\u00e8re ?<\/em><\/p>\n<p align=\"right\">Stephen Wright<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13857\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2018\/10\/livre_ouvert_faut_il_abolir_ouest_lumiere.jpg\" alt=\"OLYMPUS DIGITAL CAMERA\" width=\"1272\" height=\"1350\"><\/p>\n<p>https:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/fiche_Toma_FAUT_IL_ABOLIR_OUEST_LUMIERE.htm<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yann Toma \/ Stephen Wright Faut-il abolir Ouest-Lumi\u00e8re? Rennes, \u00c9ditions Incertain Sens; Brest, La Passerelle, 2005. 64 p. 21 x 13 cm ISBN&nbsp;2-914291-22-X et 2913988-09-1 1000 ex. Avec son r\u00e9seau tentaculaire d&#8217;abonn\u00e9s, son ubuesque pr\u00e9sident \u00e0 vie, manipulant avec de &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=13855\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":18,"featured_media":13856,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51],"tags":[292,420],"class_list":["post-13855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-politica","tag-economia","tag-incertain-sens"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/13855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13855"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/13855\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}