{"id":13843,"date":"2018-10-22T12:27:40","date_gmt":"2018-10-22T15:27:40","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=13843"},"modified":"2018-10-22T12:27:40","modified_gmt":"2018-10-22T15:27:40","slug":"invitation-quarante-deux-cartons-dinvitation-aux-vernissages","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=13843","title":{"rendered":"Invitation. Quarante-deux cartons d&#8217;invitation aux vernissages"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13847\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2018\/10\/livre01.jpg\" alt=\"livre01\" width=\"2388\" height=\"3012\" \/><\/p>\n<p>Hubert Renard<br \/>\n<strong>Invitation. Quarante-deux cartons d&#8217;invitation aux vernissages<br \/>\n<\/strong><span class=\"Style591\">Rennes, \u00c9ditions Incertain Sens \/ FRAC Bretagne,<\/span>\u00a02015.<br \/>\n20 x 15 cm<strong><br \/>\n<\/strong>ISBN 978-2-914291-69-9<\/p>\n<p><span style=\"font-weight:400;\">&#8221;Hubert Renard trabalha h\u00e1 v\u00e1rios anos na fic\u00e7\u00e3o\u00a0<\/span><span style=\"font-weight:400;\">aplicada ao mundo da arte contempor\u00e2nea. Ele inventou um personagem, chamado &#8220;Hubert Renard&#8221;, como ele, que \u00e9 um artista visual e fez uma s\u00e9rie de exposi\u00e7\u00f5es desde o in\u00edcio dos anos 70. Este personagem \u00e9 representativo de um artista &#8220;m\u00e9dio&#8221; em suas produ\u00e7\u00f5es e seu modo de comunica\u00e7\u00e3o. V\u00e1rias &#8220;provas&#8221; atestam a sua atividade art\u00edstica: convites, cat\u00e1logos de exposi\u00e7\u00f5es, fotografias, artigos e comunicados de imprensa, documentos verdadeiros \/ falsos inteiramente montados do zero. <em>Invitation. Quarante-deux cartons d\u2019invitation aux vernissages<\/em>, que segue v\u00e1rios cat\u00e1logos de exposi\u00e7\u00f5es e monografias, re\u00fane todos os convites falsos produzidos por Hubert Renard desde o in\u00edcio de sua &#8220;carreira&#8221;, onde os lugares, as datas, os curadores s\u00e3o todos fict\u00edcios, os convites s\u00e3o os \u00fanicos elementos tang\u00edveis de um trabalho que existe apenas na forma de sua documenta\u00e7\u00e3o.&#8221;<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13848\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2018\/10\/livre_ouvert02p.jpg\" alt=\"livre_ouvert02p\" width=\"800\" height=\"576\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13846\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2018\/10\/livre_ouvert01p.jpg\" alt=\"livre_ouvert01p\" width=\"800\" height=\"574\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13845\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2018\/10\/livre_ouvert05p.jpg\" alt=\"livre_ouvert05p\" width=\"800\" height=\"567\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13844\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2018\/10\/livre_ouvert03p.jpg\" alt=\"livre_ouvert03p\" width=\"800\" height=\"556\" \/><\/p>\n<p>Hubert Renard travaille depuis plusieurs ann\u00e9es sur la fiction appliqu\u00e9e au monde de l\u2019art contemporain. Il s\u2019est invent\u00e9 un personnage, qui s\u2019appelle \u00ab\u00a0Hubert Renard\u00a0\u00bb, comme lui, qui est plasticien et r\u00e9alise un certain nombre d\u2019expositions depuis le d\u00e9but des ann\u00e9es 70. Ce personnage est repr\u00e9sentatif d\u2019un artiste \u00ab\u00a0moyen\u00a0\u00bb dans ses productions et son mode de communication. Un certain nombre de \u00ab\u00a0preuves\u00a0\u00bb viennent t\u00e9moigner de son activit\u00e9 artistique\u00a0: cartons d\u2019invitation, catalogues d\u2019exposition, photographies, articles et communiqu\u00e9s de presse, vrais\/faux documents enti\u00e8rement mont\u00e9s de toute pi\u00e8ce.\u00a0<em>Invitation. Quarante-deux cartons d\u2019invitation aux vernissages<\/em>, qui fait suite \u00e0 plusieurs catalogues d\u2019exposition et monographies, r\u00e9unit l\u2019ensemble des faux cartons d\u2019invitation produits par Hubert Renard depuis le d\u00e9but de sa \u00ab\u00a0carri\u00e8re\u00a0\u00bb, o\u00f9 les lieux d\u2019accueil, les dates, les organisateurs sont tous fictifs, seuls \u00e9l\u00e9ments tangibles d\u2019une \u0153uvre qui n\u2019existe que sous la forme de sa documentation.<\/p>\n<p><a href=\"_wp_link_placeholder\">https:\/\/www.sites.univ-rennes2.fr\/arts-pratiques-poetiques\/incertain-sens\/fiche_hubert_renard_invitation.htm<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hubert Renard Invitation. Quarante-deux cartons d&#8217;invitation aux vernissages Rennes, \u00c9ditions Incertain Sens \/ FRAC Bretagne,\u00a02015. 20 x 15 cm ISBN 978-2-914291-69-9 &#8221;Hubert Renard trabalha h\u00e1 v\u00e1rios anos na fic\u00e7\u00e3o\u00a0aplicada ao mundo da arte contempor\u00e2nea. Ele inventou um personagem, chamado &#8220;Hubert &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=13843\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":18,"featured_media":13847,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[23,58],"tags":[409,420,650],"class_list":["post-13843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-documentacao","category-sobre-arte-contemporanea","tag-hubert-renard","tag-incertain-sens","tag-o-que-e-arte"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/13843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13843"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/13843\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}