{"id":13482,"date":"2018-06-13T15:58:30","date_gmt":"2018-06-13T18:58:30","guid":{"rendered":"https:\/\/colecaolivrodeartista.wordpress.com\/?p=13482"},"modified":"2018-06-13T15:58:30","modified_gmt":"2018-06-13T18:58:30","slug":"publishing-as-artistic-practice","status":"publish","type":"post","link":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=13482","title":{"rendered":"Publishing as artistic practice"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13483\" src=\"http:\/\/colecaolivrodeartista.eba.ufmg.br\/wp-content\/uploads\/2018\/06\/0000137b.jpeg\" alt=\"0000137b.jpeg\" width=\"364\" height=\"544\" \/><\/p>\n<p>Annette Gilbert (org.)<br \/>\nPublishing as artistic practice<br \/>\nBerlin: Sternberg Press, 2016.<br \/>\n304 p.<br \/>\nil. p&amp;b ; 24 cm.<br \/>\nISBN: 9783956791772 (broch.)<\/p>\n<p style=\"text-align:justify;\"><strong>Bibliografia:<\/strong> Inclui bibliografia e \u00edndice.<\/p>\n<p>&nbsp;<\/p>\n<p>Conte\u00fado completo:<br \/>\nPublishing as artistic practice \/ <strong>Annette Gilbert<\/strong> &#8212; <em>Some preliminary observations toward a study of the varieties of artist publishers in the sixties and seventies<\/em> \/ <strong>Anne Moeglin-Delcroix<\/strong> &#8212; <em>Portrait of the artist as a publisher: publishing as an alternative artistic practice<\/em> \/ <strong>Antoine Lefebvre<\/strong> &#8212; <em>How I didn&#8217;t write any of my books<\/em> \/ <strong>Aur\u00e9lie Noury<\/strong> &#8212; <em>Organic book design from Dwiggins to Danielewski: The metamedial aesthetics of embodies literature in American trade publishing<\/em> \/ <strong>Alexander Starre<\/strong> &#8212; T<em>he mediatization of contemporary writing<\/em> \/ <strong>Nick Thurston<\/strong> &#8212; <em>Experimental writing in its moment of digital technization: post-digital literature and print-on-demand publishing<\/em> \/ <strong>Hannes Bajohr<\/strong> &#8212; <em>Publisher, promoter, and genius: the rise of curatorial ethos in contemporary literature<\/em> \/ <strong>Hanna Kuusela<\/strong> &#8212; Inter folia, aves: reading bird books as curatorial-editorial constellations \/ <strong>Anna-Sophie Springer<\/strong> &#8212; Scribes, self publishers, artists: performing the book in the samizdat writing scene \/ <strong>Valentina Parisi<\/strong> &#8212; No to mass circulation: publishing in the context of an aesthetics of the relationships in post-samizdat \/ <strong>Vadim Zakharov and Annette Gilbert<\/strong> &#8212; A signature of indifference \/ <strong>Lucas W. Melkane<\/strong> &#8212; No-ISBN &#8212; conceptual perspectives on contemporary autonomous publishing \/ <strong>Leo Findeisen in conversation with Bernhard Cella<\/strong> &#8212; Book swapping &amp; seriosity dummies from fragments: life and opinions of a real existing artist \/ <strong>Michalis Pichler<\/strong> &#8212; System test: (self-) critical surveys of publishing practice \/ <strong>Annette Gilbert<\/strong> &#8212; The social sense of print \/ <strong>Alessandro Ludovico<\/strong> &#8212; Bad workers: notes on the socius and the book \/ <strong>K. Antranik Cassem, Matt Longabucco, and Rachel Valinsky<\/strong> &#8212; Library underground &#8212; a reading list for a coming community \/ <strong>Eva Weinmayr<\/strong> &#8212; On unpublishing : fugitive materiality and the future of the anthropocene book \/ <strong>Paul Benzon<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Annette Gilbert (org.) Publishing as artistic practice Berlin: Sternberg Press, 2016. 304 p. il. p&amp;b ; 24 cm. ISBN: 9783956791772 (broch.) Bibliografia: Inclui bibliografia e \u00edndice. &nbsp; Conte\u00fado completo: Publishing as artistic practice \/ Annette Gilbert &#8212; Some preliminary observations &hellip; <a href=\"https:\/\/colecaolivrodeartista.eba.ufmg.br\/?p=13482\">Continue lendo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[43],"tags":[],"class_list":["post-13482","post","type-post","status-publish","format-standard","hentry","category-obra-de-referencia"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/13482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13482"}],"version-history":[{"count":0,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/13482\/revisions"}],"wp:attachment":[{"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/colecaolivrodeartista.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}